Hidden Gems: the Jinrickshaw

by V. Jegatheesan

Jin – Man

Riki – Power

Sha – Vehicle

Man powered vehicle

Nestled almost out of sight with attention diverted to the tin dredge in Gallery C, is a Jinrickshaw. Today, it may get passing mention during a guided tour but this solitary artefact used to be an institution in early Malaya. Known also as Jinricksha or simply as rickshaw, it was a key mode of transportation for many decades until it was literally ‘overtaken’ and ‘driven off the road’ by faster vehicles.

The rickshaw was a two-wheeled buggy-like cart pulled by a runner with the passenger seated in the cart. It was ubiquitous in Kuala Lumpur up to the late fifties, as it was cheap, easily available and comfortable. They could be seen plying the streets of old central Kuala Lumpur rain or shine, day and night catering to many users throughout the day.

A jinrickshaw on display at Gallery C, National Museum, Malaysia. The backdrop features a number of rickshaws, some being pulled and some (on the right) awaiting fares. The photographer has managed to capture the energy and the effort of the rickshaw pullers. Image source: https://www.planetware.com/malaysia/top-rated-tourist-attractions-in-kuala-lumpur-mal-1-2.htm

It seems that a form of the rickshaw was actually developed in France as far back as the 17th century. However, it is generally accepted that around 1869, the Japanese developed the rickshaw, giving it the name through which we know it today. Others have also laid claim to having invented it. After all, it is not a complicated vehicle and specific needs would have led a simple handcart evolving to this type of vehicle. Nevertheless, the form that we know today is from Japan.

Outside of Japan, the rickshaw was used in many parts of the world including China and parts of Africa. It could be seen in India and it became iconic in Kolkata. Over the years, the rickshaw were either motorised or just phased out, with pockets remaining particularly for tourism. This article focuses on Kuala Lumpur although it was common in many of the other larger towns in Malaysia as well.

Source: Cheah Jin Seng (2011) Selangor: 300 Early Postcards, Singapore: EDM.

The rickshaw consists of a buggy-like cart with a seat resting on two thin wheels. Two long shafts, of around 1.5 metres, extended from the sides of the cart. The ends of the shafts were connected by a bar, used as a handle. The puller, or Rickshaw man, stood between the shafts and ran pushing the bar and therefore pulling the cart. The wheels were thin and made originally of iron; rubber-tyres came later.

The seat itself could have either been a simple wooden one or cushioned and it seated two at a time. It extended down to form a footrest, on which packages could also be placed. Some rickshaws had a cubbyhole under the seat that was used as storage. Attached to the back of the seat was an adjustable hood that could be lifted to provide protection against the scorching sun or rain; it lay collapsed otherwise. In addition, if it rained, a canvas sheet would be used to cover the front. Although simple and basic, some rickshaws were highly decorated with designs on the sides of the cart. They were generally clean and comfortable.

A rickshaw puller posing with his fare. Note the shoes worn by the puller. These were pieces of rubber tied with strings. The rickshaw has its hood expanded. Image source: https://twitter.com/potretlawas/status/928500368253730816/photo/1

Before World War 1, the rickshaws were imported from Japan. After the war, with the advent of Depression, they were locally made. Cost of these rickshaws is not found. In most cases, an individual owned the rickshaws and hired them out to pullers. Rates of hire are available for Singapore – it was 35 cents per day in 1938. Well-to-do people are said to have owed their own rickshaws with hired pullers if they did not keep a carriage.

It is uncertain when the rickshaw was first imported into Malaya but by 1912, the rubber-tyre rickshaw was reported to be in use in Kuala Lumpur together with the iron-wheeled type. However, by the mid-1920s only the former was in common use. These operated in what was known as central Kuala Lumpur, which covered Petaling Street, Sultan Street, Central Market and extended around three kilometres outward. This is a flat area, easy for the puller to navigate. Many people lived within the city in those days.

Anyone and almost everyone used the rickshaw. Ladies and men used it to get around town. Children went to school on a contracted rickshaw, much like school buses today. Women went to the market and back in these. Even the British officers would use them, perhaps more as a novelty. Later in the evening, rickshaw pullers had certain ladies as customers who would sit in the rickshaw in certain parts of town, waiting for their own customers. In fact I was told that ladies and young girls never used the rickshaw alone at night. If they had to, they were accompanied by a male, even a young boy if need be.

The fare paid, of course, varied by distance but the figures for Kuala Lumpur are not known – it is simply stated as a few cents for short trips. A 1914 schedule of jinrikisha fares for the Straits Settlements, show fares of 3 cents for every half mile, 20 cents for an hour and detention (waiting) fee of 5 cents per hour. These fees are for the second class. First class fares were double. These first class rickshaws had superior ‘English wooden seating’ and rubber tyres. First class rickshaws also had a runner trotting behind the rickshaw for the safety of passengers. These runners were rare, if any, in Kuala Lumpur.

Fares of course went up in time. For comparison, the fare in 1920 in Singapore was set at 15 cents a mile (1.6 km.). The industry in Singapore was regulated – there was a Registrar of Rickshaws as well as a union.

The rickshaw pullers were a breed apart. They were mostly immigrants from China and they lived in lodging houses, which were popular then as many immigrants came alone. Most, if not all, smoked opium supplied by the lodging houses or in opium dens. Opium was made illegal after World War II but hard-core addicts still managed to get their supply. Some pullers only wore shorts while others wore dark shin-length shorts with, perhaps, a shirt. Almost all wore a hat made of matted straw or palm leaf. Some did not wear shoes. For those who did, old rubber tyres were cut to fit and tied to the feet with string. While waiting for fares, they would squat between the shafts or sit on the footrest.

This rickshaw has its hood collapsed. Note that the rickshaw puller is bare-footed and bare-chested. Image source: https://twitter.com/potretlawas/status/928597899524444160/photo/1

In their day, rickshaws ruled the roads. They would weave in and out of traffic, pulling out to the centre of the road when they felt necessary; the passengers sat coolly in their seats, being used to this. When looking for passengers, they would dash from one side of the road to the other to grab the passenger before another rickshaw did. Other vehicles had to look out for them.

They faced many risks – being scolded by passengers, arguments on the fare, accidents, drunken night passengers and passengers running off without paying. Many suffered bad health; there are reported cases of some collapsing and dying on the road while pulling. Despite the rickshaw being looked back on as a novelty, the pullers led a hard life for meagre earnings. They did not seem to be able to break out of rickshaw pulling, unlike some Chinese mining coolies who managed to move out into starting small businesses.

In our younger days, it was common for parents or teachers to scold us when we sat sloppily “sit up straight, don’t sit like a rickshaw puller!” Or, “you better study hard or you will end up being a rickshaw puller.”

The rickshaw pullers drew some sympathy and attention from travellers to Malaya as can be seen with the below two references.

“The jinricksha, pulled by Chinese coolies, is the conveyance usually hired for short runs in and around the neighbourhood of the towns. They are comfortable, and usually fairly clean, but as the coolie who pulls it seldom understands any language but his own dialect, and is as a rule supremely ignorant of the rule of the road, it is well to keep a wary eye on his movements.”

The Handbook of the Federated Malay States, compiled by H. Conway Belfield

“Chinese coolies toiling in the shafts of jinrickshas occupied by fares sitting inside, and quite unconcerned at the efforts of these human horses, who are often sickly, and always striving to reach the end of their journey as quickly as possible, mopping their faces as they run along, and audibly panting from their exertions.”

Ambrose B. Rathborne in Camping and Tramping in Malaya
In the streets of Kuala Lumpur. Image source: https://collections.lib.uwm.edu/digital/collection/agsphoto/id/29436/

By the mid-1950s, trishaws started replacing the rickshaws. The trishaw is a tricycle with the passenger cart placed on its side. Some, particularly in Penang, had the passenger cart in front. The advent of buses, as well as growing affluence that afforded people cars and taxis sounded the death knell for both the rickshaw and the trishaw. By the mid-sixties, both had almost disappeared, although the Penang trishaws ruled the roads until the eighties.

While trishaws can still be seen on the streets today in places like Melaka, catering to the tourist industry, the jinrickshas are only found in museums. However, they are a part of our history and the stories they tell should not be forgotten.

References

https://en.wikipedia.org/wiki/Pulled_rickshaw

https://eresources.nlb.gov.sg/infopedia/articles/SIP_932_2005-01-24.html

Jan van der Putten and Mary Kilcline Cody (2009) Lost Times and Untold Tales from the Malay World, First Edition. Singapore: NUS Press.

https://great-railway-journeys-malaysia.weebly.com/jinrikisha-station.html

H. Conway Belfield. Handbook of the Federated Malay States. London. Edward Stanford, 12-14 Long Acre W. C.

Ambrose B. Rathborne F. R. G. S. (1898). Camping and Tramping in Malaya, Fifteen Years Pioneering in the Native States of the Malay Peninsula. London. Swan Sonnenschein and Co.

Jim Warren (1984) Living on the Razor’s Edge: The Rickshawmen Of Singapore Between Two Wars, 1919–1939. Bulletin of Concerned Asian Scholars, 16:4, 38-51, DOI: 10.1080/14672715.1984.10412623

Warren, James Francis. (2003/05). Rickshaw Coolie: A People’s History of Singapore 1880 -1940 [Paperback]. Singapore University Press (US).

Relatives and friends – too many to name individually

SanXingDui Museum

Evidence of a Vanished Civilisation

by Annie Chuah Siew Yen

What emotions do the above masks evoke in you? Intriguing and intimidating, they did not appeal to me initially for I did not then realise whence they had come or the mysteries attached to them. However, I was curious and wanted to find out the reason for their ubiquitous presence in advertisements and tourist literature on Sichuan.

Aerial view of the archaeological site of SanXingDui. The museum is the building topped by a triangular structure. The design of the museum has several architectural breakthroughs, characterised by the deformed spiral. Modern technologies in sound, light and special effects are used to highlight the charm of this ancient site.

… so in May 2017, my sister and I hired a car with a driver from Chengdu to take us to Guanghan, the archaeological site of these Bronze Age relics, 40 km north of Chengdu. The SanXingDui Museum is the current home of artefacts unearthed in Guanghan County and they are valued as Grade 1 Treasures of the People’s Republic of China.

The main museum building, on the excavated site of San Xing Dui (three-star mound: san –three, xing – stars, dui – mound) was completed in 1992 and opened to the public in 1997. It is not easy to get to due to its remote location. San Xing Dui is the ruins of the capital of the ancient Shu Kingdom that existed over 4000 years ago.

Beautiful gardens and grasslands surround the museum

Before the excavations, there were no reliable written materials recording the ancient Shu civilization. There is hardly any mention of Shu in early Chinese historical records until the fourth century BCE, thereby shrouding this society in mystery. With the excavation of these cultural relics, the mystery has only deepened.

Discovered in 1929, and re-discovered in 1986, the famous discoveries in two sacrificial pits included animal- and human-faced sculptures and masks, a five-metre tall bronze tree, the best-preserved bronze human figure at 2.62 metres and hundreds of other unique items, each exceedingly exquisite. These relics are believed to be remnants of the Shu Kingdom, which can be dated to 2600 years to 4800 years ago. The discovery surprised archaeologists and historians alike and opened up a world of intrigue as it indicated a semi-Chinese culture that was previously unknown.

The human-like figures and faces are utterly unique, unlike any made in other periods of Chinese civilization.

It is said that SanXingDui slept for three thousand years and has just woken up to astound the world with its mystique. These 20th century finds caught the world’s attention and the site is considered one with great historical and scientific significance.

The cache of religious bronze sculptures excavated at SanXingDui manifests the sophistication of the Shu culture. The bold lines and forceful contours of the masks combine to create magnificent images, which feature the union of humanity and divinity. The ritual objects reflect the spiritual pursuit of the Shu people. For more than half a century, archaeologists from Sichuan have been investigating the finds and forming theories of the Shu culture.

This one seems to smile eerily at you

The large exhibition halls, filled with hundreds of artefacts, are dimly lit. It feels surreal to be inside, especially the first hall I entered, being surrounded by case after case of large masks and human heads, but visitors just move on with their audio guides to gaze upon and marvel at the mysteries of this once-forgotten civilisation. If they could talk, what secrets would these strange human heads reveal?

Exaggerated eyes and ears are the hallmark of SanXingDui masks, but the enormous masks have stalked eye balls (like extended protruding rods) and they seem to represent Can Cong, founder of the Kingdom of Shu. Cynics have commented that if this is true, then Can Cong must be half-insect! The Chinese character for insect, 虫 appears in both Can Cong’s name and the character for Shu, 蜀. The big eyes and ears symbolise the great powers of seeing and hearing from afar. It is believed that Can Cong had protruding eyes and ears.

The sacrificial life and religious rituals of the ancient Shu people are represented through bronze god statues and wares of gold, bronze, jade and stone. Among them is a 2.62 metres tall statue (Bronze Standing Man) wearing a crown and ceremonial garb, standing upright and barefoot on a cloud-patterned base supported by four elephant heads. His two large hands seem to hold a sacred vessel as if commanding a sacrifice. In the minds of the ancient people, he is a combination of god, wizard and king.

Most academicians believe the religious worship was a complex system involving a mix of many types, including nature worship, ancestor worship and god worship. The main function of the holy tree was to act as the axis for ascension to heaven. They connected heaven and earth, gods and humans. These Shamanistic trees were popularly used by shamans to communicate with the universe.

The spiritual world of the Shu people who believed that everything had a soul is shown not only through the magical bronze trees but also through animal-shaped objects such as fish and, more notably, birds. Bronze animal sculptures reflect the ancient Shu people’s ideology that all animals have spirits and their faith in the spirits of birds is the core of this belief.

Some of the artefacts are so large that they have to be seen to be appreciated. Standing at five metres, the Sacred Tree of SanXingDui, the most prized relic, gets pride of place in the central lobby of the museum. The spiral feature of the building’s architecture must have been designed for its display. Overseas display of this valued artefact is prohibited.

This huge mural and bronze installation at the entrance greet visitors and act as teaser for the treasures inside

I no longer regard the masks of SanXingDui as menacing nor grotesque, but rather as stunning artefacts with deep symbolism guarding secrets of a glorious past. They are objects to be admired, and from which to draw upon for confirmation of hypotheses. How did the bronze smelting technique and the culture symbolized by the Sanxingdui bronze ware come into being? New research may solve the mystery of SanXingDui.

Earlier studies theorised that the disappearance of SanXingDui was due to floods or war but these theories are speculative. LiveScience reports that a mighty earthquake that occurred 3000 years ago decimated the ancient metropolis that was SanXingDui, but this theory is also speculative.

Tableau of Alter Worship. It is uncertain whether the kneeling figures were slaves or nobility, shamans making offerings, or whether they themselves were the offerings.

There is still much to learn about this mysterious civilisation. Excavations at the Three Star Mounds continue, the various projects involving researchers from China and abroad aim to discover more items from this lost civilisation. Tang Fei, head of the Sichuan Provincial Cultural Relics and Archaeology Research Institute, believes there are more sacrifice and worship sites, and aristocratic tombs to be unearthed.

The puzzle of the Three Star Mounds is a puzzle of the ages, but I hope it will eventually be unravelled.

References

SanXingDui Museum bi-lingual explanatory notes for some of the exhibits

https://www.ancient-origins.net/news-general/new-research-may-solve-mystery-enigmatic-sanxingdui-civilization-china-002508

https://en.wikipedia.org/wiki/Sanxingdui

http://www.chinadaily.com.cn/a/202005/18/WS5ec1e884a310a8b2411565ee.html

https://scholar.google.com.my/scholar?q=studies+of+sanxingdui&hl=en&as_sdt=0&as_vis=1&oi=scholart

How Explorers Communicated with Locals

by V. Jegatheesan

Now and then, I get questions from visitors to the Museum on how, in the past, explorers, travellers, and others communicated with the peoples of the places they visited. Going to a country with a different language in today’s world is not a problem – with dictionaries available literally at your fingertips, with Google Translate, or even with applications on smartphones that translate one language to another on the fly. In any case, English is the universal language these days.

However, how about Christopher Columbus, Magellan, Vasco da Gama, and so many others during earlier times – how did they communicate with the locals they encountered? …………. read more