Federal Route 55

by Eric Lim

Recently, a reader of this blog wrote in asking for the actual site of Sir Henry Gurney’s assassination. Prior to this, I had been asked the same question by my ex-classmate’s husband while doing a guided tour at the National Museum last year. In addition, recently there was a news report on the development of a new multi-storey hotel resort in Fraser’s Hill and Badan Warisan Malaysia, a national heritage NGO, had initiated a petition to stop the demolition of heritage buildings on Fraser’s Hill.

These events are closely related to Federal Route 55. Sir Henry Gurney was assassinated on 6 October 1951 by communist terrorists (CT) at Mile 56 ½, Kuala Kubu Road (90.91 km, distance measured from Kuala Lumpur), about 8 miles (12.87 km) from Fraser’s Hill and about 2 miles (3.22 km) before The Gap. Federal Route 55 is the main access route to Fraser’s Hill, whether from Pahang or Selangor.

This stretch of road was the first federal route constructed in Pahang, thus putting the final jigsaw in linking all four states in the Federal Malay States (FMS). It was opened on 13 January 1899, and it initially connected Kuala Kubu to Kuala Lipis, the then capital of Pahang. Today, Federal Route 55 starts at the intersection of Federal Route 1, the main North-South trunk road, with Kuala Kubu Bharu and ends at Teranum in Raub district.

With these two issues on my mind, I decided to drive up to Fraser’s Hill using Federal Route 55 from the Selangor side. My last trip to our country’s third hill station was for a tai chi retreat many years ago. The drive was a breeze on a Saturday early morning except for the occasional braking and overtaking of cyclists. On weekends, particularly, Federal Route 55 is a favourite with cyclists, who challenge themselves on its uphill, downhill and winding circuit.

Photo source : Eric Lim

I do recall seeing on the internet, a photo of a signboard that was erected at the site of Gurney’s assassination. Hence, as I approached The Gap, I slowed down to look for it but alas, I could not locate it even though I went back and forth several times. Since it was still early, I decided to pull over at The Gap, to check the old Rest House. Incidentally, The Gap is still in the state of Selangor. What once used to be a fine stone Tudor style rest house where visitors could drop by for scones and tea, relax and admire the flowers and as well as enjoy the mountain fresh air before continuing their journey to Fraser’s Hill, it is now in decrepit condition. In 2008, it underwent refurbishment with a budget of RM 500,000. A second phase costing RM 1.5 million was planned for 2011 but the project was cancelled. Since then, the building has been left untouched and is under threat from the elements and vandalism. Looks like the glory days of the Rest House would not be making a return for a long time to come.

The trend of losing heritage buildings continued to rear its ugly head when I reached the site of the proposed 15-storey resort and spa in Fraser’s Hill. Two colonial bungalows, Maybank Lodge and Jelai Resort, had been completely demolished two weeks earlier as part of the project. The project is expected to be completed in 2026. When the Silver Park Resort was built, another two bungalows namely Mentakab Bungalow and Bishop House (earlier called The Retreat) were destroyed to make way for that project. Another important landmark in Fraser’s Hill is the Jeriau Waterfall. It is now a pale shadow of its former glory after the development of an 18-hole golf course nearby. The golf course did not survive for long and it has been abandoned for many years now.

The proposed 15-storey resort and spa. Photo source : Eric Lim

Moving away from the news of destruction to a more positive note, I have succeeded in locating the photograph of the memorial signboard. In addition, I also found photographs of Gurney’s Rolls Royce that was riddled by bullet holes (a total of 35 bullet holes were counted), Gurney’s funeral procession held on 8 October 1951 and the news headline of the killing. I discovered these at the Shahzan Inn on Fraser’s Hill.

Photographs at Shahzan Inn Fraser’s Hill. Photo source : Eric Lim

In retaliation for the killing of the highest ranking British officer in the country, the entire population of the village of Tras near Fraser’s Hill, almost all Chinese, was rounded up onto lorries and sent to a detention camp in Ipoh. They were suspected of supporting the CTs. Thirty seven of them were arrested for possible involvement and the rest were released in batches but they were not allowed to return to Tras. They were finally permitted to return home in 1958, by which time, Tras looked more like a ghost town! Tras is also located on Federal Route 55, near Teranum.

Again, it looked like an easy and quiet ride leaving Fraser’s Hill. However, not for long as I could see a chasing pack of cyclists behind me. I stepped on the accelerator and I went speeding down the hill and round the hairpin bends but they were still close on my tail. It was like in the movies. When I finally broke free, it was close to the Sungai Selangor Dam and I decided to stop at the Lookout Point to view the massive lake. Treated water from the dam is supplied to Selangor and Federal Territories of Kuala Lumpur and Putrajaya. 

As I was about to return to my car, I saw the cyclists speeding by and soon they were out of sight. It was a good race for them and a good day for my adventure on Federal Route 55.

References

Book / The Towns of Malaya : An illustrated urban history of the Peninsula up to 1957. By Dr Neil Khor, Mariana Isa and Maganjeet Kaur.

Henry Gurney’s final flight by Alan Teh Lean Seng / 7 October 2018 New Straits Time. www.nst.com > lifestyle >sunday-vibes

freemalaysiatoday.com/category/leisure/2018/10/09/page-out-of-history-gurney’s-killing-and-the-village-of-tras

A walk through Gallery B, Muzium Negara

by Annie Chuah Siew Yen

Early Malay Kingdoms

As you enter Gallery B through the portal of a door from the Palace of Setul, you will be transported to the first millennium of the Common Era (CE) when small polities dotted the Malay World, some of which grew to become empires and shaped the world we know today.

Historical records and surviving artefacts provide evidence that these early Malay kingdoms possessed organised systems of government; they participated in the Indian Ocean trade and they had established relations with Arabia, China, India and Persia. The society was cosmopolitan, more so than what we would have imagined.

This 120- year- old wall and door is from the former palace of Setul. The state of Setul was located in southern Thailand and it was, between 1843 and 1909, governed by the Sultanate of Kedah. The wall and door are made of teak wood and decorated with floral motifs of Malay and Javanese design. Image @Maganjeet Kaur

Welcome to the Malay World

What and where is the Malay World where these kingdoms flourished? Jim Baker aptly describes it as archipelago South East Asia – comprising present day Malaysia, Indonesia, Singapore, Brunei, southern Philippines and south Thailand.

The people who founded these maritime polities and kingdoms were descended from the Malayic-speaking Austronesians. The kingdoms started as coastal city-states, developing as emporia to service traders from east and west. Their lifeline revolved around trade and each sought to dominate the region. The archipelago was rich in natural resources and its products, such as tortoise shells, gharuwood, rhinoceros horns and camphor were highly sought after in China, India and beyond. The strategic location of the region, between its key markets in the east and west, made it a suitable meeting place for traders from outside the region. The cultures of their trading partners, initially Hinduism and Buddhism and, later, Islam would also play a large part in shaping the local societies.

A notable early kingdom on the Malay peninsula was Langkasuka (2nd – 6th century CE). This name is of Sanskrit origin, and the kingdom was closely tied to the Indianised kingdom of Funan in Cambodia. Langkasuka, believed to be located in the Pattani-Songkla area, traded with China through ports on the east coast but it also had links with trading communities on the west coast, just across the isthmus. It was a rich and prosperous state and it may have founded the early settlements in the Bujang Valley. There are scant records on Langkasuka; its demise could possibly be linked to the rise of polities in Sumatra and Java.

A Champa manuscript, dated to the early 18th century. The Champa kingdom was located at present-day Southern Vietnam and an overview of its history can be found here. Image @Maganjeet Kaur

The Bujang Valley civilisation was a significant trading kingdom in Kedah with iron smelting as its main activity. By 800 CE, Bujang Valley had come under the influence of Buddhist Srivijaya and, by the early 11th century, the Indian Chola Empire. We can see vestiges of this civilisation at excavation sites and in a museum at Merbok, Kedah; some artefacts are also displayed in Galleries A and B.

According to the Malay Annals, a Khmer prince founded the kingdom of Gangga Negara in the 8th century. Its location is uncertain, but believed to be at modern-day Beruas, Perak, through findings of various significant Buddhist bronzes in the Kinta Valley. The kingdom fell after the Chola attacks in the 11th century.

This stone artefact, a fusion of an elephant and a fish, representing land and sea was found in Bujang Valley. It is believed to be from the 7th century. Usually a pair of these auspicious symbols would be used to adorn the main entrance of a temple or palace.
This beautiful bronze statue of Avalokitesvara was found in a tin mine in Bidor, Perak in 1936. It is dated between the 7th and 12th century, when the area was Hindu-Buddhist.

Into the Second Millennium

Srivijaya was a dominant maritime empire based in Sumatra, but influenced much of Southeast Asia. It was founded in the 7th century after the demise of Funan. The Chola attacks destroyed its capital at present-day Palembang, but its centre moved further north to Jambi where it lasted until the 13th century.

Majapahit was founded by Raden Wijaya in around 1293. It was the last major Hindu empire in the region and among the most powerful empires in the history of the archipelago. Majapahit society developed a high degree of sophistication in both commercial and artistic activities. Its capital was inhabited by a cosmopolitan population among whom literature and the arts flourished. Its power began to wane in the 15th century when Islam spread in the region. Sumatra resented Majapahit’s control, so the conversion to Islam was an opportunity to extricate from Hindu Majapahit. The Majapahit Empire was unable to compete with its Muslim neighbours, and began to disintegrate, finally collapsing in early 16th century. After the fall of the empire, Majapahit kings and nobles, priests and artisans took refuge in the interior mountains of East Java and across the narrow straits to Bali. It can be said that the kingdom of Bali was the successor of Majapahit.

Replica of a Majapahit boat

The grandeur of some early kingdoms is evident in the monuments they left behind. Among these are Candi Borobodur, a 9th-century Buddhist temple in Central Java, the world’s largest Buddhist temple; and Candi Prambanan, the largest temple complex dedicated to the Hindu Trimurti, (Brahma, Vishnu, Shiva) also in Java, built in the 10th century.

A collection of kris. This weapon has very important influence in the archipelago. They are symbols of power and authority of the warriors and rulers. It’s a revered object and forms part of the royal regalia of the Malay rulers in the archipelago. Image credit: http://top10hotelsmalaysia.com/listings/muzium-negara/

Melaka Sultanate, a later Malay Kingdom, was a celebrated Malay empire. Melaka was founded around 1400 by Parameswara, a prince who fled from Sumatra and established a port in the Straits of Malacca, which attracted trading ships from China, India and Arabia. It was a popular port as it was well administered by the Bendahara, Shahbandar, Laksmana and Temenggong.  At around this time, the Ming Emperor was sending out fleets to expand trade. Admiral Zheng He called at the port of Melaka on each of his seven voyages. In exchange for regular tribute, the Ming emperor offered Melaka protection from the constant threat of Siamese and Javanese attacks. The court of Melaka gave prestige to the Malay language and the language became the lingua franca of the region.

By the late 15th century, Islam became integrated in the daily life of the people in Melaka. The palace, mosques and religious schools became centres for the study of Islam. The Jawi script became widely used in the Malay Archipelago. Melaka’s growing commercial and political influence helped spread Islam to Melaka’s dependent territories. The Melaka kingdom lasted little more than a century, but during this time it became the established centre of Malay culture and identity, and of Islam.

Diorama showing Megat Iskandar Shah’s conversion to Islam by Saiyid Abdul Aziz, a religious scholar from Jeddah.

Brunei existed as early as the 6th/7th century; its power waxed and waned throughout the centuries. Once subjected by Java, it later became a vassal of Majapahit. Brunei was an independent kingdom from the 15th to the 17th century, reaching its height of power under its 6th Sultan, Sultan Bolkiah (1485 – 1524), when its domains included Sulu and southern Philippines.

When Melaka fell in 1511, traders who formerly traded in Melaka turned to Brunei, resulting in it becoming more prosperous. Brunei had influence over Sulu until the arrival of the Spanish in the 16th century. Brunei’s power began to decline in the 18th century and it lost a great deal of its territory – North Borneo and Sarawak – due to internal power struggles and foreign intervention, especially by the British.

A shield, dating to around 80 to 100 years ago, from the Kingdom of Sulu. This kingdom was founded in the middle of the 15th century . Centred on Jolo island, the kingdom in its heyday controlled the Sulu Archipelago, Zamboanga peninsula in Mindanao, southern Palawan, and the northern and eastern coasts of Borneo.

Setul Mambang Segara, was among the last of the kingdoms in the Malay peninsula. It was a traditional Malay kingdom founded in the northern coast in 1808 because of the partition between the rulers of the Royal House of Kedah. It was governed by the Malay Sultanate of Kedah from 1843 until 1909 when it was ceded to Thailand. The sovereignty of the kingdom ended in 1916, following the dissolution by the Siamese government. The state border was inherited by Satun, the successive province.

In this third millennium, the sovereign nations of archipelago South East Asia are the beneficiaries of the Malay kingdoms. The cultural blending of the different beliefs and practices of the Malay World has created a cultural compromise. The traditions that were brought into contact throughout the years of co-existence and assimilation have resulted in a common heritage which we see in the Kris, Wayang Kulit , Tepak Sireh, BatikSarong, among others. These are the shared heritage of the region, so should the people fight over their origins and ownership?

Wayang kulit is a traditional form of puppet-shadow play originally found in the cultures of Java, Bali, and Lombok in Indonesia. Image @Annie Chuah

Evolution of Demographic Composition

The demographic composition of Malaysia is represented by the multiple ethnic groups that exist in the country as a result of the migration and intermingling of the people in the archipelago through the past two millennia.

In the first, there was significant migration from Sumatra and movement from outside, in the form of Indian and Arab traders, many of whom intermarried and settled along the west coast.

The second millennium saw further migration of Malays to the peninsula from central Sumatra and the eastern archipelago. Muslim and Indian traders from India, the Arabs, Persians and Chinese, European missionaries, the Portuguese and Dutch of the colonial years, some of whom inevitably married local women, have all left their mark in the country. Indian Muslims, Baba-Nyonya, Chitties and Kristangs, Dutch and European Eurasians and Jawi Pekan have added to the demographic composition of multi-racial Malaysia.

A collection of Peranakan items

References

Videos: My South East Asia with Dr Farish

Book: Didier Millet Editions ̈Noor, Farish A: What Your Teacher Didn’t Tell You, (2009)

Book: Crossroads (1st Edition): A popular history of Malaysia & Singapore by Jim Baker

Book: The Encyclopaedia of Malaysia: Volume 4 Early History (1998);

Article: GLIMPSES INTO THE HISTORY OF MALAYSIA, New Nation, 22 February 1973, Page 8

Article: ASEAN Youth Organization – Malaysia  14 September 2015

Small towns in Hulu Selangor

by Eric Lim

The late Rehman Rashid wrote the book Small town’, his personal tribute to Kuala Kubu Bharu (KKB). He spent his last few years nestling in this small town located in the Hulu Selangor district. For this article, I am going to pen some snippets on other small towns in the Hulu Selangor district, specifically Kerling, Rasa, Batang Kali and Serendah. I would also like to draw your attention to two articles previously published on this blog, discussing two other towns located in Hulu Selangor: KKB and Kalumpang.

Kerling

The early development of Kerling can be attributed to Syed Mashhor, who hailed from Kalimantan. He moved to Sarawak during the time of James Brooke, where he proved his prowess as a fighter. He then came to Selangor and served loyally under Raja Mahadi during the Klang War. He was twice beaten by Tengku Kudin and Yap Ah Loy, at the Battle of Ampang (September-October 1870) and Battle of Rawang (March-June 1871) but finally succeeded in capturing Kuala Lumpur in 1872. It was a short-lived victory as Tengku Kudin and Yap Ah Loy mounted an attack in February 1873 and recaptured Kuala Lumpur. Outside Kuala Lumpur, Pahang forces continued their onslaught on Syed Mashhor’s camps at Kanching and Ulu Yam; the civil war ended when the stronghold at Kuala Selangor fell on 8 November 1873. Syed Mashhor retreated to Perak and served under the British during the Perak War. He was pardoned by Sultan Abdul Samad and, on 12 December 1883, he was appointed as the Penghulu of Ulu Kerling. He developed Kerling by opening up lands for tin mining. He died in 1917 and he was buried at the local Islamic cemetery.

Syed Mashhor, standing third from the right.
Photo source – Syed Masahor becomes Head of Kerling 23/06/2015 / pekhabar.com

Rasa

Rasa started as a small mining settlement and grew in the 1900s. At its peak, it had 20 open mines and 5 tin dredge mines, with the population reaching 4000. The constant flooding in nearby Kuala Kubu was getting very serious, prompting the British government to move its district headquarters to Rasa in 1921. They also shifted the railway track away from Kuala Kubu town and built the station at Kuala Kubu road with the track ending at Rasa. This station was opened in 1924.

The most influential tin miner in Rasa was Tan Boon Chia (Chen Wensheng in Mandarin).Unlike the majority of the townsfolk who were Hui Zhou (Fei Chow) from Guangdong, Boon Chia was a Hokkien from the Penglai township in the Anxi Province, China. His was a typical rags-to-riches tale, and in 1918, when he was just 26, he built the largest structure in the township, a huge mansion with 51 rooms on a five-hectare land. When he died in October 1931, his two sons took over his business. The Tan family’s good fortune was abruptly disrupted during the Japanese Occupation. They left hurriedly and never returned to Rasa. There was talk of converting the mansion into a museum but hitherto, nothing concrete has come out of it.

Batang Kali

An event that happened in 1948 has placed Batang Kali in the history books. The event was dubbed Batang Kali massacre’and it took place at Sungai Remok Estate, just outside of Batang Kali. On the weekend of 11 and 12 December, the Second Battalion of the Scots Guards composed of National Servicemen in their late teens and led by a 22- year-old Sergeant raided the rubber estate in a counter-insurgency operation against Chinese Malayan communists. On the morning of 12 December, 24 Chinese estate workers were killed. Those killed had been unarmed and they had not tried to escape. In addition, the ‘kongsi’ houses were burnt to the ground. Chin Peng stated in his book, ‘My side of history’, that no one in the village was linked to the guerrillas. In 1970, an inquiry was launched in Britain but it was terminated. Likewise in 1990’s, investigations in Malaysia was aborted when Foreign Office officials intervened. It then went up to the European Court of Human Rights and ended at this court on 4 October 2018, when the Court delivered its decision to uphold the refusal of the British Government to hold an inquiry.

Signboard along Federal Route 1 / Photo source – Eric Lim

Serendah


In the Malay language, ‘serendah’ means ‘low’. This aptly describes Serendah, a township situated in a low-lying landscape surrounded by hills. The Sumatrans were the earliest settlers here, arriving in the 1870’s, and they built their homes along Sungai Telachi and Sungai Serendah. After the end of the Klang War, Sultan Abdul Samad started to open mines in Ulu Selangor and that saw an influx of migrant Chinese miners in Serendah in the 1880s.

By the 1890s, rapid developments within the town centre saw the construction of a hospital, rest house, post office, police station and a market. It had a clubhouse called the Bowing Club and a rifle range used by the Ulu Selangor Rifle Club, which was formed in October 1897. Concurrently, places of worship were built: a Sikh Gudwara in 1897; the Sze Si Ya Temple in 1898; a Hokkien temple, Hock Leng Keng, in 1899; and in that same year, a new mosque, Masjid Sultan, replaced the old one with funds for its construction coming from Sultan Abdul Samad, Foong Wah and Tok Pinang. A small Chinese school was set up in 1895. Then in 1900, Loke Chow Thye proposed the establishment of an English school; the British Resident approved it but the school was not built because the local community preferred Chinese education. A piece of land requested for a Chinese school was gazetted in 1924, and the school still exists at the present site, now known as SRJK (C) Serendah.

As with many mining towns, floods were major issues and in 1932, the bunds guiding Sungai Serendah broke causing massive flooding to the trunk road. A Committee was set up and, in 1934, it approved the construction of a dam. This dam has seven abutments, which are fed by water through seven spillways/sinkholes. It has been effective in preventing floods in Serendah. The site is now a major attraction, popularly known as ‘The Seven Wells’.

During World War II, the Japanese army arrived at Serendah on 10 January 1942 and the next day, they overwhelmed Kuala Lumpur. Two incidents were recorded during the Emergency. On 13 December 1948 (one day after the Batang Kali massacre), the communist burnt down Serendah Boys Home (now known as Pusat Perkembangan Kemahiran Kebangsaan / PPKK) and the home of the headmaster. The charred body of the headmaster was found inside. On 25 January 1949, two European miners were killed at a tin mine.

References

Syed Masahor becomes Head of Kerling 23/06/2015 / www. Pekhabar.com

The Selangor Civil war – The history of Yap Ah Loy / yapahloy.tripod.com

Chinese houses of SEA : The eclectic architecture of sojourners and settlers by Ronald G. Knapp / books.google.com.my

Batang Kali Massacre 1948 – the lesson of truth by Dato Quek Ngee Meng / nhq.com.my > social > bkm 1948

Revealed : How Britain tried to legitimise Batang Kali Massacre / www.theguardian.com > world

Serendah. Then & Now by Ee Yoke Chan

History of Kajang

by Eric Lim

Kajang, the capital of the Hulu Langat district, is located around 21 km south from Kuala Lumpur. There are a number of theories on how the name Kajang came about. The Malay dictionary defines kajang as ‘stuffed objects from leaves of nipah (bamboo, mengkuang or palm leaves) that are used as rooftop or awning’. The Temuan had already been exploring the area since at least the 16th century and they found an abundance of bamboo and palm leaves, which they folded to make rooftops. Thus, they called the place Kajang. Two other theories date from the time of the Austronesian migration. We look at the word as used by two different ethnic groups –for the Mandailing, berkajang means ‘to take shelter’; and for the Bugis, it means ‘to stab / to fight’. Raja Alang, a Mandailing, was cruising along the Langat River with his followers when half way they decided to stop and berkajang. He then called the place Kajang. The Mandailing and Bugis were trying to escape from the Selangor Civil War and both arrived near Kajang. They then fought each other because of the misunderstanding of the meaning of the word to them. After the event, the place was called Kajang.

In 1848, Raja Berayun, a Mandailing, wanted to claim ‘blood money’ from Datoh Klana Sendeng, a Rawa, for the killing of one of his friends. He brought 500 men and invaded Sungai Ujong but they were defeated and they retreated to the north of the Langat River where they established a village called Rekoh. The current name for Rekoh is Sungai Tangkas; it is about 4 km from Kajang. It was to be the earliest settlement around Kajang.

Kajang, like many towns on the west coast of the Peninsular, started as a mining settlement. An American prospector started a tin mine at Rekoh in 1855. However, the locals objected as he did not possess any consent and the venture was abandoned. The tin boom in the district occurred in the middle of 1890’s, when Chinese businessmen made huge investments in the district. One of the Chinese miners was Goh Ah Ngee,who was active in Balau (Broga today). He even built a church for a small group of Chinese Christians in the area. The first mine at Semenyih was opened by a Hokkien named Cheah King. Other Chinese miners were Khoo Seah, who had mines at Sungai Cheow (Sungai Chua today) Road (1896), Loke Yew at Sungai Merbau in Hulu Langat (1896) and Sungai Kachau in Semenyih (1897), Low Boon Kim at Sungai Jebat (1897) and Chan Yoke who operated a mine at Kajang (present Metro Kajang site). Tin was also found just outside of Kajang where Hakka coolies called it Xi Mi Shan (Tin Ore Hill).This site is the only mining pool left in Kajang. Recently, the Kajang Municipal Council converted the site into a recreational park.

Only mining pool left in Kajang (at Sungai Chua) converted into a recreational park

Tin mining industry in the district turned out to be a relatively minor enterprise, paling in comparison to other towns in the state. This prompted the District Office to suggest moving to agriculture. Tobacco had been planted in 1890 on a trial basis in Semenyih but the project failed. Coffee was next and it gained interest amongst European planters who were applying for land for coffee planting. Chinese businessmen were equally interested and joined in the demand for land. However, at the turn of the 20th century, faced with strong competition from Brazilian coffee producers, fluctuation of coffee prices and the appearance of a fungal disease called H. vastatrix and further assisted by the outbreaks of Cephonodes hylas moth that threatened to cripple the local coffee production, the industry soon vanished from the scene.

Rubberwas the next big crop. The Inch Kenneth Estate located just outside Kajang became the first estate to plant rubber on a commercial scale in Malaya. Among the Chinese planters who obtained land in Kajang for rubber plantation were Choo Kia Peng with 182ha in 1910, Loke Yew with 41ha in 1912 and Low Ti Kok with 24ha. Goh Ah Ngee, who had tin mines in Balau, also ventured into rubber plantation in Semenyih after his failed ventures in coffee planting. The development of the rubber industry was also helped by the extension of the railway track southwards from Kuala Lumpur to Kajang in 1897. Before that, Kajang was connected to Kuala Lumpur via a cart road built in 1888.

Inch Kenneth Estate sign near Kajang

A prominent person in Kajang was Raja Alang, son of Raja Berayun. He attended Malay schools in Malacca and Singapore and, upon his return, worked as a Forest Ranger in 1883. When Raja Alang ended his working career, he was made an aide to the District Officer and was his right hand man in Malay affairs. He rose to become a very influential man in Kajang. In his honour, two roads in the town were named after him but both roads have since been expunged. He also became very rich; in fact, it is said that he was the richest man in Selangor in the early 20th century. He built a mosque in Beranang, which is named after him. In his later years, he moved to Kuala Lumpur and stayed at his residence at 13, Jalan Raja Laut (present day Jalan Ipoh Kecil), in front of the former Capitol and Federal cinemas. Raja Alang died on 11 December 1927 and he was buried at the Ampang Islamic Cemetery in Kuala Lumpur. His dream of a road to be named after him became a reality when his son, Raja Muhammad was the given the privilege to rename Perkins Road in recognition for his services in the struggle to achieve independence for the Federation of Malaya. Raja Muhammad chose to rename the road after his father.

Kajang Town

A sketch of Kajang Town, adapted from the map at Kajang Heritage Centre

Ulu Langat District Office was set up in 1883 and records of that time show that the Ulu Langat village was the largest settlement in the district but Kajang was chosen as the district capital because of its central location. An early census of Kajang is interesting – one police clerk (indicating that the police station was already established), one ranger (most definitely Raja Alang), twenty-two shopkeepers (of which sixteen were Sumatrans) and one gambler (most likely a Chinese!). The district office building was built in the 1910s and was in operations until it was demolished and a new building (Bangunan Dato Nazir) constructed in 1970. Situated nearby, across Jalan Cheras, is the Police Station, which was established in 1875, after the British succeeded in crushing Sutan Puasa’s suspected uprising. Across Jalan Hishammudin is the Post Office, which was also built at about the same time as the former Ulu Langat District Office; it is still in operation until today.

Old Ulu Langat District Office. Photo source bebasnews.my.

Located between Jalan Tukang and Jalan Mendaling is the Sin Sze Si Ya temple, the oldest Chinese temple in Kajang. The temple was initially located at Rekoh but was later moved to its current site in Kajang in 1892. It went through some construction work in 1898 and a grand ceremony was held in 1899. Today, the temple is among thirteen Sin Sze Si Ya temples that can be found in major tin mining towns in Perak, Selangor and Negri Sembilan.

Kajang Police Station

Rev. Fr. Francois Terrein MEP started a Catholic mission in Kajang and a church was built on a former rubber estate donated by Goh Ah Nee. The Church of the Holy Family was consecrated on 24 February 1901and it had a bell and three stained glass windows each depicting a member of the Holy Family. Goh Ah Nee also donated a piece of land for the purpose of a burial ground in 1903, which is still in existence. Later, the parish administrator allowed the Infant Jesus Sisters to start a girl’s school in Kajang. In 1939, the new Convent School (present site of SK Convent Kajang) was ready for the school year. During the Japanese Occupation, Japanese warplanes bombed Kajang on 12 January 1942; their target was the old railway station but unfortunately the bombs landed on the church and school compound. The church was damaged but somehow the three stained glass window panels suffered only minor damage. Today, the panels can be seen at the back of the altar. 

 Church of the Holy Family

The first English school in Kajang was opened by Reverend William Edward Horley in 1905. It was to be a private school and limited only to residents in Kajang. Since then, there were no further records of the school. Thanks to the efforts of a group of local community leaders, saw the resumption of English education in the district with the setting up of the Kajang Government English School, which was officially opened on 1 April 1919. The old Rest House building at Jalan Semenyih had been converted to accommodate the school premises. The school started with an enrolment of 100 students and grew to 129 the following year, with 10 female students. When Ng Seo Buck became the first Malayan Headmaster of the school in 1923, he was forced to turn the kitchen of the old Rest House into a classroom. By 1926, the school was overcrowded and the building had dilapidated. Ng left the school in 1927 and started a campaign to seek a new site and building for a new school. He was joined by Low Ti Kok, Raja Muhammad (son of Raja Alang), Haji Abdul Jalil and Ronald CM Kindersley (of Inch Kenneth Estate) and they succeeded in securing a site, which was a hillock along Jalan Semenyih. The school was named Kajang High School. Sultan Sir Alaiddin Sulaiman Shah officiated at the opening ceremony on 19 March 1930. Among the first batch of students was Tan Chee Koon, who went on to become a major figure in our country’s politics and was nicknamed ‘Mr Opposition’. The first Headmaster for the new school was C.E. Gates and he turned out to be a great inspiration to the students. When he returned to England in 1936, the Kajang Town Board named the road near his residence Gates Road. During the Japanese Occupation, the school became the headquarters of the Japanese army and it was called Toa Seinan Gakko. After the war, the boys from the school made two interesting discoveries – they found a skull and skeleton, which were later used as authentic visual aid during Biology classes, and they discovered a tunnel linking the school to the nearby cemetery!

Kajang High School opening ceremony by Sultan Sir Alaidin Sulaiman Shah on 19 March 1930.
Photo credit: hanafiahlubis.blogspot.com

Chinese education came at about the same time as English education. Boon Hua Chinese School started in the 1910s and, by 1917, the school was attached to the Merchant Club at a shop lot located at Main Street. It then shifted to two shop lots at No.2 & 4, Sulaiman Street when enrolment increased. The Chairman of the school, Low Ti Kok, and the Headmaster, Tan Yi Hoh, had applied for a piece of land in town as a site for the school. It was granted and works to build the school started in 1918; by the following year, the school operated from the new site. The school was renamed Yu Hua School. The school acquired the adjoining land in 1935 for its expansion. In 1958, the school was separated into Yu Hua Middle School and Yu Hua Primary School. To honour the contributions of Low Ti Kok to education in Kajang, the road in front of Yu Hua School is named after him. Low Ti Kok died during the war in 1943 and his residence, which is located near Yu Hua School, has been converted into the Hulu Langat Hokkien Association. 

Another site that brings back fond memories to the people of Kajang is Stadium Kajang. It was built in the 1970s and, over the years, the stadium was the training ground for football legends such as Arumugam, Santokh Singh, Soh Chin Aun and Mokhtar Dahari. In 2014, it was turned into a public area called Kajang Square. Finally yet importantly, when one mentions ‘satay’, Kajang automatically springs to mind. Satay Kajang was first introduced by Wak Tasmin Bin Saiban who came from Java in the 1910s. Haji Samuri who married the granddaughter of Wak Tasmin, took Satay Kajang to new heights by expanding outside of Kajang and started operating a satay factory. Today, Haji Samuri satay restaurant is housed at the former site of Ulu Langat District Office. In front of the restaurant is the Stadium Kajang MRT station. The MRT line to Kajang was opened on 17 July 2017 and it has greatly improved public transportation and accessibility to KL city centre and beyond.

Stadium Kajang

To end this article, here is a look at some current street names that still carry the names of people linked to the history of Kajang.

References

The peopling of Ulu Langat – David Radcliffe – https://core.ac.uk/reader/127607722

A short history of Ulu Langat – www.jstor.org

Chinese pioneers in the Ulu Langat district of Selangor – Voon Phin Keong / www.newera.edu.my

Migration, settlement and the rise of a middle class in Chinese society : a case study of Kajang -Diana Wong, Lin Chew Mun and Tan Pok Suan / www.newera.edu.my

Some old forgotten things about Kajang High School – hanafiahlubis.blogspot.com

Parish history – hfckajang.org.my

Lee Kim Sin – Kajang Heritage Centre – Facebook and Blog

On the trail of the Chams

by Annie Chuah Siew Yen

Once lords over a great empire known as Champa, the Chams have been relegated to ethnic minority status in the very lands over which they once lorded. Today, they inhabit parts of southern Vietnam and Cambodia.

The Chams are an Austronesian group and the history of Champa begins with their migration to mainland South East Asia. Patterns and chronology of migration suggest that the Cham arrived via Borneo (this assumption is still being debated) in the early centuries CE. What is today the South China Sea was known to ancient navigators as the Champa Sea, named for the great empire that controlled the seas off central and south Vietnam. Existing between the 2nd and 15th century CE, Champa was actually a collection of polities; at the peak of its power, Champa lands included parts of eastern Cambodia and Laos.

Champa and its neighbours around c. 1100 CE. Champa is shaded in green, the Khmer Empire in violet, and Dai-Viet in yellow. Major polities are marked. Image credit: Wikimedia Commons (public domain)

Their culture was heavily influenced by Hinduism, mainly Shaivism, represented by a linga with temple carvings depicting Hindu deities. Later, Hindu doctrines were blended with local beliefs and Buddhism.

The Chams have left traces of their existence in the lands they occupied. Archaeologists have identified Cham citadels and temple sites along Vietnam’s coast. Recent explorations suggest that hundreds of ruined sites may line rivers leading into the Central Highlands and beyond, to eastern Cambodia.

I have always been fascinated by lost kingdoms and ancient civilisations. I first came across the Chams when I was travelling in central Vietnam in 2006, and again in 2007. Although most Chams now live in Cambodia, the kingdom of Champa flourished in southern Vietnam and this is where the architectural legacy of the Cham people is located.

A tower at the Champa complex at My Son. Image credit: http://architecturalmoleskine.blogspot.com/2012/01/my-son-in-vietnam.html

The Chams were greatly influenced by Funan (precursor to the Khmer Empire) from whom they adopted the Hindu religion and art. Sandstone pillars and red brick flooring of temples and royal burial sites are features of Cham architecture. The oldest artefacts with these distinct characteristics found together with pottery in Tra Kieu, date to the 2nd century CE.

The people of Champa kept written records in Sanskrit and the old Cham language. They wrote on palm leaves and inscribed on stone steles. Their records on perishable materials are all gone but numerous stone inscriptions have been preserved and transcribed.

Cham culture is believed to have started thriving from the 4th century CE. Its spiritual centre was at My Son, which was established by King Bhadravarman. Over 70 temples – red brick structures – have been excavated here. The buildings within the My Son temple complex were constructed over a period of 1000 years, from the 4th to 14th century CE, making this complex one of the longest-occupied archaeological sites in the world. My Son is located about 70 kilometres southwest of Da Nang and close to Champa’s ancient capitals Simhapura (Tra Kieu) and Indrapura (close to Dong Duong). Within these three locations, more than 30 stelas dated between the 5th to 12th centuries CE have been discovered. The stele inscriptions focus mainly on political and religious topics, written from the perspective of kings to affirm their legitimacy and their relationship with the divine.

My Son complex – the largest collection of Cham ruins are located here. Image credit: https://kyotoreview.org/wp-content/uploads/ChamRemains.jpg

My Son was discovered during the construction of telegraph lines in Central Vietnam in 1889 when Camille Paris stumbled upon its ruins. Decades of research revealed it as the religious centre of the long-forgotten Champa Kingdom. Sadly, much of this site was devastated by B52 bombing from 1969 to 1972 during the Vietnam War as the Viet Cong had set up base there. What is left was saved when President Nixon declared the area off-limits on the advice and urging of a Chan art expert, Philippe Stern. Bomb craters still punctuate the monument grounds, and land mines lurk beneath the surrounding jungle. However, many structures have been restored, giving visitors a glimpse into the spiritual life of the ancient Chams.

2006 – crumbled structures awaiting restoration. Image: from author’s collection

My Son Sanctuary, the ancient architectural ruins in the middle of a forest near Hoi An, is preserved as a World Cultural Heritage site. Inscribed on the UNESCO World Heritage List in 1999, it is worth visiting for those seeking the exotic, away from mainstream Asian tourist destinations. During my visit in 2006, a ride in an archaic military vehicle, a war relic left behind by the Americans after the Vietnam War, took us through rough terrain to the lush valley, overshadowed by the holy mountain, Mount Mahaparvata (known to the locals as Cat’s Tooth Mountain). Visitors today can now expect easier access – it has been more than a decade since my visit. ­

During my visit in 2006, the ride in an archaic military vehicle brought me to the entrance of the complex; the ruins were about 1.5 km from this entrance. Images: from author’s collection

Several international organisations have backed restoration projects, painstakingly re-assembling the bombed-out monuments and planning for increased on-site security. Ecole Francaise d’Extreme Orient (EFEO) of which Henri Parmentier, a prominent archaeologist was a member, was responsible for the establishment of the Danang Museum of Champa Sculpture, which opened in 1919. This museum, though small, has the best collection of Cham art that survived looting and decay. These masterpieces are a wonderful complement to My Son and Po Nager.

Inside the Museum of Cham Sculpture at Da Nang. Image: from author’s collection

My travels in 2007 across Indo-China, approximately along the 18th parallel, took me from Nong Khai in northeast Thailand to Hue in Central Vietnam and back to Thailand, to Mukdahan in Nakhon Phanom, crossing the then completed Thai-Laos Friendship Bridges across the Mekong. Along the journey were pockets of Cham villages and ruins, the most significant being Wat Phu in Champasak in southern Laos.

Between the first and ninth centuries CE, Champasak Province was part of Funan (which influenced early Champa) and then the Chenla Kingdoms before falling to the Khmers. Archaeological research has identified the ancient city as Shrestrapura, a 5th-century CE, pre-Khmer site. The city was at one time the capital of the Chenla and Champa Kingdoms.

Aerial view of Wat Phu as seen from mid-level. Image: from author’s collection

Although Wat Phu is considered Khmer, elements of Champa art, culture and architecture are recognisable within the temple complex. The UNESCO site includes Phu Kao mountain and the remains of the ancient cities of Lingapura and Shrestrapura. Wat Phu, designated a UNESCO World Heritage Site in 2001 was an important Hindu temple dedicated to Shiva. During the 13th century CE, it became a centre of Theravada Buddhism and remains so until today.

The final annihilation of Champa by Minh Mang’s troops in 1835 marked the end of two millennia of continuous Champ existence. The remnants of Champa in Kauthara (Nha Trang) and nearby Panduranga were fully incorporated into the Vietnamese realm. The marginalised Cham communities of Indo-China today are the last vestiges of Champa.

During the purge by Minh Mang, large groups of mainly Muslim Chams fled to Cambodia where they were given refuge. They settled around the area now known as Kampong/Kompong Cham and along the shores of the Tonle Sap. However, they struggled to retain their culture and language. The Chams were again severely persecuted, this time by the Khmer Rouge from 1975 to 1979. It is estimated that as many as half a million Chams were murdered to ‘ethnically cleanse Cambodia’.

Kampong Cham market, French colonial architecture. Photo credit: flickr (Keith Kelly) https://www.flickr.com/photos/keithkelly/4529785741/in/photostream/

In Phnom Penh, a small community of Chams still live on boats and stilted houses but with rapid land development in Cambodia’s capital, they are under constant threat of eviction. Today, there is a small Cham Muslim (some practising a blend of Hindu-Buddhist practices) community in Thailand and in Laos as well.

Cambodian Chams. Image credit: Wikimedia Commons, attribution: Sorinchan Suzana

The majority of the 120,000 Chams who remained in Vietnam retained their Hindu faith but those who later converted to Islam still worship their gods at Po Nagar Cham Towers in Nha Trang during the religious festival of Thap Ba, which falls around April/May. The two major enclaves of Chams in Vietnam are in Nha Trang (ancient Cham city of Kauthara) and the highlands around Da Nang.

In the 8th century CE, the political centre of Champa moved from My Son south to Kauthara. At the site of modern Nha Trang, a temple was built in honour of Po Nagar, the indigenous Earth Goddess whom the Chams believed was the ‘Mother of the Country’ who taught agricultural and weaving skills to the Chams. Later historians identified Po Nagar with the Hindu goddesses Bhagavati, wife of Shiva, and with Durga, the buffalo-demon slayer.

Central stairway, for monks only, on mandapa leading to the main shrine of Po Nagar Temple

Pirates from Java burned the temple of Po Nagar and carried off the image of Shiva. Cham king Satyavarman pursued the raiders and defeated them in a naval battle in 781. This victory over the ‘dark-skinned savages who feed on cadavers’ was recorded on a stele erected by Satyavarman at Po Nagar. The Chams continued building – the tallest tower was completed in 817 CE. Further expansion continued until the 17th century CE when the Chams were gradually displaced by the Viets.

The building techniques from 8th century to 13th century remain a mystery. Scholars still do not understand how the Cham people placed 20×20 cm bricks in close proximity without any adhesive. This unique feature attracts interest in the towers. My guide drew my attention to the Chams’ ingenuous use of red bricks without any binding mortar in the construction of these octagonal pillars, a technique that still baffles engineers and archaeologists.

Free standing red brick columns in artistic arrangement on the mandapa

The kalan was the brick sanctuary, typically in the form of a tower, used to house the deity. The religious life of the Chams is evident from these extant monuments, which have syncretized elements of Shaivism, Buddhism and indigenous religious practices.

There were once ten towers, each dedicated to a different deity, but today only four remain to provide a fascinating glimpse into the region’s past and the locals’ present-day spiritual beliefs as pilgrims still come here to pray and offer incense.

I spent half a day at this site in December 2019, admiring the temples, wandering around and finally sitting in the shadows of the soaring temple towers. I felt the serenity of the hillock   and the greatness of antiquity while pondering over the past splendour of the Cham culture, much of it long lost to the world … but comforted by the thought that I had ventured on the trail of the Chams.

References

https://www.ancient-origins.net/ancient-places-asia/ancient-kingdom-champa-enduring-power-lasted-over-1500-years-southern-vietnam-020598

https://etc.ancient.eu/interviews/deciphering-ancient-cham-art/

https://cm.sicham.org/index.php/en/blog/a-glimpse-into-the-lost-kingdom-of-champa-po-nagar-cham-temples-of-nah-trang-vietnam-1

Hidden Gems: the Jinrickshaw

by V. Jegatheesan

Jin – Man

Riki – Power

Sha – Vehicle

Man powered vehicle

Nestled almost out of sight with attention diverted to the tin dredge in Gallery C, is a Jinrickshaw. Today, it may get passing mention during a guided tour but this solitary artefact used to be an institution in early Malaya. Known also as Jinricksha or simply as rickshaw, it was a key mode of transportation for many decades until it was literally ‘overtaken’ and ‘driven off the road’ by faster vehicles.

The rickshaw was a two-wheeled buggy-like cart pulled by a runner with the passenger seated in the cart. It was ubiquitous in Kuala Lumpur up to the late fifties, as it was cheap, easily available and comfortable. They could be seen plying the streets of old central Kuala Lumpur rain or shine, day and night catering to many users throughout the day.

A jinrickshaw on display at Gallery C, National Museum, Malaysia. The backdrop features a number of rickshaws, some being pulled and some (on the right) awaiting fares. The photographer has managed to capture the energy and the effort of the rickshaw pullers. Image source: https://www.planetware.com/malaysia/top-rated-tourist-attractions-in-kuala-lumpur-mal-1-2.htm

It seems that a form of the rickshaw was actually developed in France as far back as the 17th century. However, it is generally accepted that around 1869, the Japanese developed the rickshaw, giving it the name through which we know it today. Others have also laid claim to having invented it. After all, it is not a complicated vehicle and specific needs would have led a simple handcart evolving to this type of vehicle. Nevertheless, the form that we know today is from Japan.

Outside of Japan, the rickshaw was used in many parts of the world including China and parts of Africa. It could be seen in India and it became iconic in Kolkata. Over the years, the rickshaw were either motorised or just phased out, with pockets remaining particularly for tourism. This article focuses on Kuala Lumpur although it was common in many of the other larger towns in Malaysia as well.

Source: Cheah Jin Seng (2011) Selangor: 300 Early Postcards, Singapore: EDM.

The rickshaw consists of a buggy-like cart with a seat resting on two thin wheels. Two long shafts, of around 1.5 metres, extended from the sides of the cart. The ends of the shafts were connected by a bar, used as a handle. The puller, or Rickshaw man, stood between the shafts and ran pushing the bar and therefore pulling the cart. The wheels were thin and made originally of iron; rubber-tyres came later.

The seat itself could have either been a simple wooden one or cushioned and it seated two at a time. It extended down to form a footrest, on which packages could also be placed. Some rickshaws had a cubbyhole under the seat that was used as storage. Attached to the back of the seat was an adjustable hood that could be lifted to provide protection against the scorching sun or rain; it lay collapsed otherwise. In addition, if it rained, a canvas sheet would be used to cover the front. Although simple and basic, some rickshaws were highly decorated with designs on the sides of the cart. They were generally clean and comfortable.

A rickshaw puller posing with his fare. Note the shoes worn by the puller. These were pieces of rubber tied with strings. The rickshaw has its hood expanded. Image source: https://twitter.com/potretlawas/status/928500368253730816/photo/1

Before World War 1, the rickshaws were imported from Japan. After the war, with the advent of Depression, they were locally made. Cost of these rickshaws is not found. In most cases, an individual owned the rickshaws and hired them out to pullers. Rates of hire are available for Singapore – it was 35 cents per day in 1938. Well-to-do people are said to have owed their own rickshaws with hired pullers if they did not keep a carriage.

It is uncertain when the rickshaw was first imported into Malaya but by 1912, the rubber-tyre rickshaw was reported to be in use in Kuala Lumpur together with the iron-wheeled type. However, by the mid-1920s only the former was in common use. These operated in what was known as central Kuala Lumpur, which covered Petaling Street, Sultan Street, Central Market and extended around three kilometres outward. This is a flat area, easy for the puller to navigate. Many people lived within the city in those days.

Anyone and almost everyone used the rickshaw. Ladies and men used it to get around town. Children went to school on a contracted rickshaw, much like school buses today. Women went to the market and back in these. Even the British officers would use them, perhaps more as a novelty. Later in the evening, rickshaw pullers had certain ladies as customers who would sit in the rickshaw in certain parts of town, waiting for their own customers. In fact I was told that ladies and young girls never used the rickshaw alone at night. If they had to, they were accompanied by a male, even a young boy if need be.

The fare paid, of course, varied by distance but the figures for Kuala Lumpur are not known – it is simply stated as a few cents for short trips. A 1914 schedule of jinrikisha fares for the Straits Settlements, show fares of 3 cents for every half mile, 20 cents for an hour and detention (waiting) fee of 5 cents per hour. These fees are for the second class. First class fares were double. These first class rickshaws had superior ‘English wooden seating’ and rubber tyres. First class rickshaws also had a runner trotting behind the rickshaw for the safety of passengers. These runners were rare, if any, in Kuala Lumpur.

Fares of course went up in time. For comparison, the fare in 1920 in Singapore was set at 15 cents a mile (1.6 km.). The industry in Singapore was regulated – there was a Registrar of Rickshaws as well as a union.

The rickshaw pullers were a breed apart. They were mostly immigrants from China and they lived in lodging houses, which were popular then as many immigrants came alone. Most, if not all, smoked opium supplied by the lodging houses or in opium dens. Opium was made illegal after World War II but hard-core addicts still managed to get their supply. Some pullers only wore shorts while others wore dark shin-length shorts with, perhaps, a shirt. Almost all wore a hat made of matted straw or palm leaf. Some did not wear shoes. For those who did, old rubber tyres were cut to fit and tied to the feet with string. While waiting for fares, they would squat between the shafts or sit on the footrest.

This rickshaw has its hood collapsed. Note that the rickshaw puller is bare-footed and bare-chested. Image source: https://twitter.com/potretlawas/status/928597899524444160/photo/1

In their day, rickshaws ruled the roads. They would weave in and out of traffic, pulling out to the centre of the road when they felt necessary; the passengers sat coolly in their seats, being used to this. When looking for passengers, they would dash from one side of the road to the other to grab the passenger before another rickshaw did. Other vehicles had to look out for them.

They faced many risks – being scolded by passengers, arguments on the fare, accidents, drunken night passengers and passengers running off without paying. Many suffered bad health; there are reported cases of some collapsing and dying on the road while pulling. Despite the rickshaw being looked back on as a novelty, the pullers led a hard life for meagre earnings. They did not seem to be able to break out of rickshaw pulling, unlike some Chinese mining coolies who managed to move out into starting small businesses.

In our younger days, it was common for parents or teachers to scold us when we sat sloppily “sit up straight, don’t sit like a rickshaw puller!” Or, “you better study hard or you will end up being a rickshaw puller.”

The rickshaw pullers drew some sympathy and attention from travellers to Malaya as can be seen with the below two references.

“The jinricksha, pulled by Chinese coolies, is the conveyance usually hired for short runs in and around the neighbourhood of the towns. They are comfortable, and usually fairly clean, but as the coolie who pulls it seldom understands any language but his own dialect, and is as a rule supremely ignorant of the rule of the road, it is well to keep a wary eye on his movements.”

The Handbook of the Federated Malay States, compiled by H. Conway Belfield

“Chinese coolies toiling in the shafts of jinrickshas occupied by fares sitting inside, and quite unconcerned at the efforts of these human horses, who are often sickly, and always striving to reach the end of their journey as quickly as possible, mopping their faces as they run along, and audibly panting from their exertions.”

Ambrose B. Rathborne in Camping and Tramping in Malaya
In the streets of Kuala Lumpur. Image source: https://collections.lib.uwm.edu/digital/collection/agsphoto/id/29436/

By the mid-1950s, trishaws started replacing the rickshaws. The trishaw is a tricycle with the passenger cart placed on its side. Some, particularly in Penang, had the passenger cart in front. The advent of buses, as well as growing affluence that afforded people cars and taxis sounded the death knell for both the rickshaw and the trishaw. By the mid-sixties, both had almost disappeared, although the Penang trishaws ruled the roads until the eighties.

While trishaws can still be seen on the streets today in places like Melaka, catering to the tourist industry, the jinrickshas are only found in museums. However, they are a part of our history and the stories they tell should not be forgotten.

References

https://en.wikipedia.org/wiki/Pulled_rickshaw

https://eresources.nlb.gov.sg/infopedia/articles/SIP_932_2005-01-24.html

Jan van der Putten and Mary Kilcline Cody (2009) Lost Times and Untold Tales from the Malay World, First Edition. Singapore: NUS Press.

https://great-railway-journeys-malaysia.weebly.com/jinrikisha-station.html

H. Conway Belfield. Handbook of the Federated Malay States. London. Edward Stanford, 12-14 Long Acre W. C.

Ambrose B. Rathborne F. R. G. S. (1898). Camping and Tramping in Malaya, Fifteen Years Pioneering in the Native States of the Malay Peninsula. London. Swan Sonnenschein and Co.

Jim Warren (1984) Living on the Razor’s Edge: The Rickshawmen Of Singapore Between Two Wars, 1919–1939. Bulletin of Concerned Asian Scholars, 16:4, 38-51, DOI: 10.1080/14672715.1984.10412623

Warren, James Francis. (2003/05). Rickshaw Coolie: A People’s History of Singapore 1880 -1940 [Paperback]. Singapore University Press (US).

Relatives and friends – too many to name individually

SanXingDui Museum

Evidence of a Vanished Civilisation

by Annie Chuah Siew Yen

What emotions do the above masks evoke in you? Intriguing and intimidating, they did not appeal to me initially for I did not then realise whence they had come or the mysteries attached to them. However, I was curious and wanted to find out the reason for their ubiquitous presence in advertisements and tourist literature on Sichuan.

Aerial view of the archaeological site of SanXingDui. The museum is the building topped by a triangular structure. The design of the museum has several architectural breakthroughs, characterised by the deformed spiral. Modern technologies in sound, light and special effects are used to highlight the charm of this ancient site.

… so in May 2017, my sister and I hired a car with a driver from Chengdu to take us to Guanghan, the archaeological site of these Bronze Age relics, 40 km north of Chengdu. The SanXingDui Museum is the current home of artefacts unearthed in Guanghan County and they are valued as Grade 1 Treasures of the People’s Republic of China.

The main museum building, on the excavated site of San Xing Dui (three-star mound: san –three, xing – stars, dui – mound) was completed in 1992 and opened to the public in 1997. It is not easy to get to due to its remote location. San Xing Dui is the ruins of the capital of the ancient Shu Kingdom that existed over 4000 years ago.

Beautiful gardens and grasslands surround the museum

Before the excavations, there were no reliable written materials recording the ancient Shu civilization. There is hardly any mention of Shu in early Chinese historical records until the fourth century BCE, thereby shrouding this society in mystery. With the excavation of these cultural relics, the mystery has only deepened.

Discovered in 1929, and re-discovered in 1986, the famous discoveries in two sacrificial pits included animal- and human-faced sculptures and masks, a five-metre tall bronze tree, the best-preserved bronze human figure at 2.62 metres and hundreds of other unique items, each exceedingly exquisite. These relics are believed to be remnants of the Shu Kingdom, which can be dated to 2600 years to 4800 years ago. The discovery surprised archaeologists and historians alike and opened up a world of intrigue as it indicated a semi-Chinese culture that was previously unknown.

The human-like figures and faces are utterly unique, unlike any made in other periods of Chinese civilization.

It is said that SanXingDui slept for three thousand years and has just woken up to astound the world with its mystique. These 20th century finds caught the world’s attention and the site is considered one with great historical and scientific significance.

The cache of religious bronze sculptures excavated at SanXingDui manifests the sophistication of the Shu culture. The bold lines and forceful contours of the masks combine to create magnificent images, which feature the union of humanity and divinity. The ritual objects reflect the spiritual pursuit of the Shu people. For more than half a century, archaeologists from Sichuan have been investigating the finds and forming theories of the Shu culture.

This one seems to smile eerily at you

The large exhibition halls, filled with hundreds of artefacts, are dimly lit. It feels surreal to be inside, especially the first hall I entered, being surrounded by case after case of large masks and human heads, but visitors just move on with their audio guides to gaze upon and marvel at the mysteries of this once-forgotten civilisation. If they could talk, what secrets would these strange human heads reveal?

Exaggerated eyes and ears are the hallmark of SanXingDui masks, but the enormous masks have stalked eye balls (like extended protruding rods) and they seem to represent Can Cong, founder of the Kingdom of Shu. Cynics have commented that if this is true, then Can Cong must be half-insect! The Chinese character for insect, 虫 appears in both Can Cong’s name and the character for Shu, 蜀. The big eyes and ears symbolise the great powers of seeing and hearing from afar. It is believed that Can Cong had protruding eyes and ears.

The sacrificial life and religious rituals of the ancient Shu people are represented through bronze god statues and wares of gold, bronze, jade and stone. Among them is a 2.62 metres tall statue (Bronze Standing Man) wearing a crown and ceremonial garb, standing upright and barefoot on a cloud-patterned base supported by four elephant heads. His two large hands seem to hold a sacred vessel as if commanding a sacrifice. In the minds of the ancient people, he is a combination of god, wizard and king.

Most academicians believe the religious worship was a complex system involving a mix of many types, including nature worship, ancestor worship and god worship. The main function of the holy tree was to act as the axis for ascension to heaven. They connected heaven and earth, gods and humans. These Shamanistic trees were popularly used by shamans to communicate with the universe.

The spiritual world of the Shu people who believed that everything had a soul is shown not only through the magical bronze trees but also through animal-shaped objects such as fish and, more notably, birds. Bronze animal sculptures reflect the ancient Shu people’s ideology that all animals have spirits and their faith in the spirits of birds is the core of this belief.

Some of the artefacts are so large that they have to be seen to be appreciated. Standing at five metres, the Sacred Tree of SanXingDui, the most prized relic, gets pride of place in the central lobby of the museum. The spiral feature of the building’s architecture must have been designed for its display. Overseas display of this valued artefact is prohibited.

This huge mural and bronze installation at the entrance greet visitors and act as teaser for the treasures inside

I no longer regard the masks of SanXingDui as menacing nor grotesque, but rather as stunning artefacts with deep symbolism guarding secrets of a glorious past. They are objects to be admired, and from which to draw upon for confirmation of hypotheses. How did the bronze smelting technique and the culture symbolized by the Sanxingdui bronze ware come into being? New research may solve the mystery of SanXingDui.

Earlier studies theorised that the disappearance of SanXingDui was due to floods or war but these theories are speculative. LiveScience reports that a mighty earthquake that occurred 3000 years ago decimated the ancient metropolis that was SanXingDui, but this theory is also speculative.

Tableau of Alter Worship. It is uncertain whether the kneeling figures were slaves or nobility, shamans making offerings, or whether they themselves were the offerings.

There is still much to learn about this mysterious civilisation. Excavations at the Three Star Mounds continue, the various projects involving researchers from China and abroad aim to discover more items from this lost civilisation. Tang Fei, head of the Sichuan Provincial Cultural Relics and Archaeology Research Institute, believes there are more sacrifice and worship sites, and aristocratic tombs to be unearthed.

The puzzle of the Three Star Mounds is a puzzle of the ages, but I hope it will eventually be unravelled.

References

SanXingDui Museum bi-lingual explanatory notes for some of the exhibits

https://www.ancient-origins.net/news-general/new-research-may-solve-mystery-enigmatic-sanxingdui-civilization-china-002508

https://en.wikipedia.org/wiki/Sanxingdui

http://www.chinadaily.com.cn/a/202005/18/WS5ec1e884a310a8b2411565ee.html

https://scholar.google.com.my/scholar?q=studies+of+sanxingdui&hl=en&as_sdt=0&as_vis=1&oi=scholart

How Explorers Communicated with Locals

by V. Jegatheesan

Now and then, I get questions from visitors to the Museum on how, in the past, explorers, travellers, and others communicated with the peoples of the places they visited. Going to a country with a different language in today’s world is not a problem – with dictionaries available literally at your fingertips, with Google Translate, or even with applications on smartphones that translate one language to another on the fly. In any case, English is the universal language these days.

However, how about Christopher Columbus, Magellan, Vasco da Gama, and so many others during earlier times – how did they communicate with the locals they encountered? …………. read more

From Private Collections to Public Institutions: Evolution of Museums and International Museum Day

by Annie Chuah Siew Yen

While the formal ‘museum’ did not emerge until the 17th century, collections of objects resembling this seemingly modern phenomenon date back thousands of years.

Museums have a long history going back to the 3rd century BCE, when the first known museums (of the ancient world) were opened in Egypt, Babylon and Mesopotamia. The oldest such in evidence was Ennigaldi-Nanna’s museum, dating from c. 530 BCE.

The remarkable woman Ennigaldi-Nanna, said to be the world’s first curator, was a Mesopotamian princess and priestess of the moon deity. Her museum, over 2500 years old, was centred on cultural heritage, and it is thought to have had an educational purpose. Along with her priestess role, Ennigaldi ran a scribal school for elite women. Thus, was founded for posterity the function and role of museums in preserving and curating items of cultural and historical value for education and enjoyment.

Ennigaldi-Nanna’s museum is thought by some historians to be the first museum, although this is speculative. It dates to circa 530 BCE. The curator was Princess Ennigaldi, the daughter of Nabonidus, the last king of the Neo-Babylonian Empire. It was located in the state of Ur (modern-day Dhi Qar). Image credit: Wikimedia Commons, attribution: M.Lubinski  CC BY-SA 2.0.

The early museums housed, cared for and displayed collections of curiosities in objects of cultural, artistic, spiritual and religious significance. The story of the world’s earliest museums shows the timeless appeal of conserving the treasures of past civilisations.

Although these institutions of antiquity were abandoned around 500 BCE due to deteriorating environmental conditions, museum culture spread to nearly every part of the world and today almost every country has at least one museum, no matter how small it may be. The concept of the museum has become a global concept that has survived through millennia.

The early museums were elitist and only the aristocrats could visit them. The public were excluded, but this focus has since shifted. Today, museums have redefined their missions, their goals and their functions, making their collections accessible to all – the researchers and the public. Still doubling as educational hubs and conservation centres, museums play a pivotal role in the preservation of culture and supporting the history of communities. Though they range in size and speciality, every museum’s mission revolves around the display and care of its collection, as well as continuous research on artefacts and thematic or general exhibitions.

The benevolent legacies of Elias Ashmole and James Smithson resulted in the establishment of institutions to further the cause of education and preservation of history.

The Ashmolean Museum of Art and Archaeology, Oxford, UK. Image Credit: Wikimedia Commons, attribution: Lewis Clarke (CC BY-SA 2.0)

Ashmole’s vision was to create a centre for practical research and the advancement of knowledge of the natural world, which, in his own words, “is very necessary to human life, health and the conveniences thereof.” Ashmole’s vision of a ‘place of curiosity which fuels a quest for knowledge’ is still being realised in the Ashmolean Museum, founded in 1683. It is the University of Oxford’s museum of art and archaeology. Its world-famous collections range from Egyptian mummies to contemporary art, telling human stories across cultures and across time.

In 1829, Englishman James Smithson died at the age of 64 and left more than $500,000 (the equivalent of $9.6 million today) to the “United States of America, to found … an Establishment for the increase & diffusion of Knowledge”. In the annals of philanthropy, there exist few more inscrutable final testaments than this – Smithson had never set foot in USA. The Smithsonian, begun in 1846, is a group of 17 museums and research centres administered by the Government of the United States of America. It is a treasure chest for visitors and a guide to the most fascinating aspects of our world.

From the Ashmolean and British museums in the United Kingdom to the Smithsonian Museums in Washington, DC, the Greco-Roman collections of the Mediterranean region, the great museums of the Indian subcontinent, the Orient and the Occident in between, these repositories of knowledge promote better understanding of our collective heritage and foster dialogue, curiosity and self-reflection. Quite simply, without museums we would most certainly lose the tangible links to our past.

The world around us is constantly changing and has radically shifted since the days of the early museums. Can museums remain static and yet be relevant? The future of museums will have to be different from the past. Museums will need to do what they can to engage with their public through their displays, education and outreach programmes.

Created in 1946, the International Council of Museums (ICOM), an international organisation of museums and museum professionals committed to the “research, conservation, continuation and communication to society of the world’s natural and cultural heritage, present and future, tangible and intangible”, recognises the need for a new museum definition. This would reflect the new role of museums and the obligations and possibilities for museums. As the voice of museum professionals, ICOM makes recommendations on issues related to cultural heritage. Its forum of experts raises public cultural awareness through global networks and co-operation programmes.

In 2016, ICOM led a one-year reflection on museums and cultural landscapes, organised an International Conference in Catania on ‘Museums and World Cultural Heritage’, published a declaration on the subject and adopted a Resolution on the ‘Responsibility of Museums towards Landscape’.

“Museums have the capacity to promote good practices and standards of excellence, notably by following the ICOM Code of Ethics for Museums, to involve and empower local communities to care for their heritage and to be a vehicle for peace and reconciliation”.

Suay Aksoy – President, International Council of Museums (ICOM), Paris, France

ICOM established International Museum Day (IMD) in 1977 to increase public awareness of the role of museums in the development of society, and it has been steadily gaining momentum. In 2019, more than 40,000 museums held special events in more than 150 countries, including Malaysia through the Department of Museums, Malaysia (DMM).

DMM’s Official Facebook: https://www.facebook.com/nationalmuseumkl/

With the theme ‘Museums for Equality: Diversity and Inclusion’, IMD 2020 was held on 18 May to “celebrate the diversity of perspectives that make up the communities and personnel of museums, and champion tools for identifying and overcoming bias in what they display.”

With the theme ‘Museums for Equality: Diversity and Inclusion’, IMD 2020 was held on 18 May to “celebrate the diversity of perspectives that make up the communities and personnel of museums, and champion tools for identifying and overcoming bias in what they display.”

The poster for #IMD2020 aims at representing #Museum4Equality through figures that are both similar and diverse

DMM is a member of ICOM. With its Director General, Datuk Kamarul Baharin bin A. Kasim, as President of ICOM Malaysia, museums in Malaysia work in cooperation and in tandem with the ethics and ideals of ICOM International.

Muzium Negara (National Museum of Malaysia) in Kuala Lumpur was officially opened on 31 August 1963 and gazetted as an ancient monument and historical site on 4 April 1996. The new building was constructed on the site of the former Selangor Museum, which was established in 1898. Near the close of World War II in 1945, the right wing of the Selangor Museum was destroyed by accidental Allied bombing. The left wing continued to serve as the Federation’s museum until the first Prime Minister of the Federation of Malaya, Tunku Abdul Rahman, decided on the construction of a new building for the nation’s historical and cultural treasures.

The four galleries in the main building tell the story of the nation, from pre-history to post independence. The Music Gallery, the Malay World Ethnology Museum, and the Orang Asli Crafts Museum are in smaller buildings. Outdoor displays include transportation, past and present, burial poles and models of the megaliths found in Pengkalan Kempas, and the gateway to the Kedah Fort.

Research is one of the core services of the Department of Museums Malaysia (DMM) and plays an important role to the department’s role to preserve, maintain and disseminate knowledge about our heritage.

Exhibition, being the other core of DMM, is classified into Permanent, Temporary and Special exhibitions. The department collaborates with foreign embassies to host special exhibitions as in ‘The Great Steppe: History and Culture’ exhibition at Muzium Negara in October 2019. What a treat it was for Malaysians to view the most significant exhibits from Kazakhstan, and to be included in ‘The Procession of the Golden Man in the world’s museums’ international project.

DMM also co-operates with other national museums for the loan of artefacts that Malaysians may have the opportunity to appreciate the national treasures of other countries on their home soil. The recently-concluded ‘Lost Kingdoms’ exhibition, which featured 103 exhibits, was made possible with the co-operation of the DMM, the National Museum of Indonesia and the National Museum of Cambodia.

DMM’s working relationship with museum institutions globally provides knowledge development for Malaysians through events and special exhibitions regularly held.

By bringing exhibitions to the local communities and involving them in the care of their own heritage, museums reinforce the preservation of the world’s living memory and nurture the protection of intangible heritage. Museums also have the capacity to promote cross-cultural dialogue between local populations and visitors and for sustainable tourism.

The museum today tells the story of man the world over and how humanity has survived in its environment over the years. It houses things created by nature and by man. The prestige of museums has never been higher. Every city that wishes to be on the visitors’ map knows that it must build one. No foreign trip seems complete without visiting one.

References

https://icom.museum/en/about-us/missions-and-objectives/

https://en.wikipedia.org/wiki/List_of_Smithsonian_museums

https://www.ashmolean.org/article/the-story-of-the-worlds-first-public-museum

Time Pieces at the National Planetarium

by Maganjeet Kaur

The simplest method to study the heavens is to stick a stick into the ground and observe its shadow at different times of day. This is the basis of sundials and the ‘stick’ is known as a gnomon. Apart from telling time of day, the resulting sun angles can also be used to tell the time of year.

Residing in a serene corner on the grounds of the National Planetarium are miniaturised replicas of three famous astronomical observatories from different parts of the world together with Malaysia’s own iconic timepiece. These are more sophisticated than the stick but they function essentially as gnomons. The four timepieces tell different stories, each compelling in its own way. The mysterious Stonehenge continues to hide its secrets, defying the hundreds of researchers bent on probing its depths. As you walk the grounds, gaze at the Guo Shou Jing Observatory and be amazed at the astronomer that conceived this marvel. Imagine the intellectual discourses that would have taken place at the Jai Singh Observatory, not only among local astronomers but also among those from afar as Bavaria, France, and Portugal. Recapture the excitement of Merdeka at the Merdeka Sun Clock.

Stonehenge

Stonehenge replica at the National Planetarium, Malaysia

Stonehenge, one of England’s most visited sites, was once sold at an auction for £6600! On 21 September 1915, Cecil Chubb, a barrister, was sent to an auction by his wife, Mary, to buy dining chairs; he returned home, instead, as the proud owner of a few acres of ruins, much to Mary’s chagrin. Fortunately, Chubb’s intentions were to protect the monument and, three years later, he donated Stonehenge to the nation, receiving a knighthood in exchange.

While the experts agree that Stonehenge was built in different phases by different groups of people, possibly for different functions, there is no common consensus on the constitution of the phases and the functions of the stones. The structure dates to around 3000 BCE, reaching its present shape around 1800-1500 BCE. The original structure was a henge, a circular flat area surrounded by a ditch, with the only difference from other henges being in its size – a whopping 100 metres across. Outer and inner banks surrounded the ditch and 56 circular cavities ran along the inner bank. Named Aubrey holes after the person who first noticed them, the cavities were believed to have initially contained bluestones but were used in a later period for cremation burials.

Stonehenge Phase 1 (around 3000 BCE). Image credit: http://arthistoryresources.net/stonehenge/stonehenge.html

The stones at the centre of the circle started being erected in different phases from around 2500 BCE, possibly beginning with the five trilithons. These were followed by the other stones including the bluestones, sarsen circle, heel stone, slaughter stone, and the four station stones. Attempts to link Stonehenge with observations of the heavenly bodies have mostly been refuted. It has been pointed out that it was not necessary to build a huge stone structure in order to make astronomical observations that could easily have be done using simpler tools. However, researchers acknowledge that Stonehenge is aligned on its northeast to southwest axis with the occurrences of solstices. There is also an interesting link between the heel stone and the midsummer solstice. There are a number of other connections with astronomy but a detailed discussion on the astronomical functions of the various stones, while fascinating, is outside the scope of this article.

The heel stone with Stonehenge in the background. This is a solitary piece of stone 4.7 metres tall with a tapered top. It sits outside the Stonehenge circle, at the start of an avenue that leads to Stonehenge. Image credit: Flicker (attribution: diamond geezer)

Guo Shou Jing Observatory

Replica of the Guo Shou Jing Observatory (Dengfeng Observatory) at the National Planetarium, Malaysia

This observatory was built in 1276 under orders by Kublai Khan, the founder of the Yuan dynasty in China. The observatory measures the sun’s shadow at noon and its variation throughout the year. It was named after the observatory’s creator, the renowned astronomer Guo Shoujing. The observatory lies near Gaocheng town, southeast of Dengfeng city in the Henan Province in China. Today, it is known as the Gaocheng Observatory or, more popularly, as the Dengfeng Observatory.

The observatory has two components: a platform formed by a truncated pyramid and a horizontal scale known as shigui.

The observatory at Gaocheng. Note the two components of the observatory: the large truncated platform and the horizontal scale in front of it. Image credit: Wikimedia Commons (attribution: Siyuwj, CC BY-SA 4.0)

The platform is 9.45 metres above ground level. Two staircases run up to the platform, on which has been built two rooms, joined by a single roof. The rooms raise the height of the structure to 12.62 metres. Each room has a window facing north and overlooking the horizontal scale below. The rooms also have a second window facing each other; a horizontal rod connects the two rooms through these windows. This rod acts as the gnomon. The height of the structure from the base to this horizontal rod is 9.75 metres, which is exactly 40 chi, a standard unit of measure in ancient China. A typical Chinese gnomon at the time was 8-chi tall (1.98 metres) – an example is the Tang period gnomon close to the vicinity of the Dengfeng Observatory. However, Guo Shoujing recognised a link between the height of the gnomon and the accuracy of the measurements; the resultant 40-chi gnomon at Gaocheng was thus innovative. It is said that Guo Shoujing’s move to a 40-chi gnomon was inspired by Middle Eastern astronomy, which had innovated large instruments, e.g. the Maragheh Observatory (1259 CE) in Iran.

The horizontal scale extended to the north of the large platform. The horizontal rod (gnomon) installed on the platform cast a shadow on the scale and this was the basis of the astronomical measurements. The horizontal scale, poetically known as the ‘sky-measuring ruler’, measures 31.19 metres in length or 128 chi. Two parallel troughs, linked at the ends, would have held water to check its level.

The two rooms above the platform. Their windows look out to the north. Image credit: Wikimedia Commons (attribution: Siyuwj, CC BY-SA 4.0)

The Dengfeng Observatory became the first of 27 observatories built by Guo Shoujing in various places in China. He used his observatories to develop a new Shoushi (season-granting) calendar. However, most of the information on the length of the sun’s shadow for this calendar came from another 40-chi gnomon he built in Dadu. The calendar, which started in 1281, would continue to be used for 364 years – until the end of the Ming dynasty.

Jai Singh Observatory

Replica of the Samrat Yantra (from the Jai Singh Observatory) at the National Planetarium, Malaysia

Pur means ‘city’ in Sanskrit and hence Jaipur, the breath-taking ‘pink city’, capital of Rajasthan, can be translated as the ‘City of Jai’. More specifically, it is the city of Maharaja Sawai Jai Singh II, who founded the city in 1726. Maharaja Jai Singh was an avid astronomer and he made a detailed study of Indian astronomical treatises. These go as far back as the Vedic texts (c. 1500-900 BCE), in which the study of stars and planets was known as Nakstravidya. He also studied Aryabhata’s famous treatise, Aryabhatiya (c. 476 CE), Varahmihira (c. 500 CE) and Brahmagupta (c. 598 CE). During the time that Jai Singh was carrying out his research, Middle Eastern and European knowledge of astronomy was very advanced and Jai Singh had their treatises translated into Sanskrit for his studies.

Sawar Jai Singh’s studies led him to recognise errors in the ephemerides, i.e. the trajectory of astronomical objects, used to calculate the imperial calendar and the astronomical tables. However, his existing brass instruments were not good enough for him to carry out the recalculations needed to correct the errors. Hence, he commissioned the construction of a jantar mantar (astronomical observatory) in Delhi. This would become the first of five observatories he would establish between circa 1721 and 1743. The others were at Jaipur, Ujjain, Varanasi, and Mathura. The observatory at Jaipur was the largest, in keeping with Jai Singh’s vision of his capital city having state-of-the-art architectural and astronomical edifices. With the exception of the observatory at Mathura, these observatories still exist and are heritage sites.

The information board at the planetarium specifies that the replica on its grounds is the Samrat Yantra (King of Instruments) from the Delhi Observatory. A Samrat Yantra is essentially a sundial usually with a triangular pyramid as its gnomon. It is flanked by two quadrants and the shadow of the gnomon on these quadrants measures the sun’s movement.

This drawing of the Delhi Samrat Yantra provides a good indication of its size. Illustrated by Thomas Daniell in 1815, currently in the collection of Wellcome Collection (Wikimedia Commons, CC BY 4.0)

The Samrat Yantra in Delhi has a colossal pyramid, measuring 21.3 metres in height. The hypotenuse of this right-angled triangular pyramid is parallel to the Earth’s rotation axis and the angle made by the hypotenuse and the horizontal is equal to the latitude of Delhi. The gnomon is flanked by two large quadrants, which lie on the plane of the equator. Their scales are graduated in a manner that allows the instrument to measure local time, right ascension, and declination. The Samrat Yantra allows measurements to a very high level of precision; both the Samrat Yantra at Delhi and Jaipur can measure time to an accuracy of two seconds.

Apart from the Samrat Yantra, the Observatory at Delhi has three other key instruments, each measuring different aspects of the movements of the heavenly bodies. These are: Misra Yantra, Jaya Prakasa Yantra and Rama Yantra. The Misra Yantra was built by Madho Singh, Jai Singh’s son. It is a compendium of five instruments including a Samrat Yantra.

Jantar Mantar at Delhi. Image credit: https://twitter.com/meissatech/status/481380967018287104 (modified to include labels)

Merdeka Sun Clock

Originally installed at Merdeka Park, the Merdeka Sun Clock was moved to the National Planetarium in 1997. The Merdeka Park, a public park opened on 20 April 1958, was located outside Merdeka Stadium, venue of the declaration of Independence on 21 August 1957.

The Sun Clock at its original location at Merdeka Park. Image credit: https://reclaimmerdekapark.wordpress.com/2013/09/18/memories-of-merdeka-park-part-2/

This sundial was the brainchild of Dato’ Stanley E. Jewkes, who had designed the Merdeka Stadium, Merdeka Park and, later, the National Stadium. His decision to include a sundial in the park was inspired by the solar clocks in India and by Stonehenge.

Malayan symbols have been weaved into both the gnomon and the bowl onto which the gnomon’s shadow is cast – the bowl is in the shape of a crescent and the pointer of the gnomon is an 11-pointed gold star representing the 11 states of Malaya (Sabah and Sarawak were not part of Malaya at that time). The clock measures time of year with zodiac signs used to represent months. Hour lines on a sundial are normally straight. However, the shape of the crescent bowl made this difficult and Jewkes compensated by building an equation of time into the lines. Two intersecting lines were drawn, differentiated by colour – one followed the sun as it moved north and the other as it moved south. An information board provides detailed instructions on measuring time using this solar clock.

Bibliography

Castleden, Rodney (2004) The Making of Stonehenge, Taylor & Francis e-Library.

Johnson-Roehr, Susan N. (2015) Observatories of Sawai Jai Singh II in C.L.N. Ruggles (ed.) Handbook of Archaeoastronomy and Ethnoastronomy, New York: Springer, pp. 2018-2028.

Lai Chee Kien and Ang Chee Cheong (2018) The Merdeka Interviews: Architects, Engineers and Artists of Malaysia’s Independence, Kuala Lumpur: Pertubuhan Akitek Malaysia.

Pearson, Mike Parker (2013) Stonehenge – A New Understanding: Solving the Mysteries of the Greatest Stone Age Monument, New York: The Experiment.

Powell, Jonathan (2019) From Cave Art to Hubble: A History of Astronomical Record Keeping, Springer ebook: https://doi.org/10.1007/978-3-030-31688-4

Pramod Kumar (1981) Sawai Jai Singh’s Observatories, Arts of Asia, Vol. 11 (5), pp. 127-134.

Xu Fengxian (2015) Dengfeng Large Gnomon in C.L.N. Ruggles (ed.) Handbook of Archaeoastronomy and Ethnoastronomy, New York: Springer, pp. 2111-2116.