That Other Capital City Across the South China Sea

By Chuah Siew Yen

Situated in north west Borneo, on the banks of the Sarawak River at approximately the same latitude of Kuala Lumpur, across the South China Sea, is Kuching.

Kuching was trading town for at least two centuries under the Bruneian Sultanate. In 1841, it became the capital of the Brooke ‘Rajah-dom’ after the territory west of the Sarawak River was ceded to James Brooke. From then on, Kuching became Sarawak’s capital, receiving attention and development, which continued under the second Rajah, Charles Brooke. After the third Rajah, Charles Vyner Brooke ceded Sarawak as part of the British Crown Colony in 1946, Kuching remained its capital … and retained its status as state capital after the formation of Malaysia in 1963.

Granted city status in 1988, the City of Kuching is administered by two separate local authorities – Kuching North (administered by a Commissioner) and Kuching South (administered by a Mayor). Kuching experienced further development and was declared ‘City of Unity’ for its racial harmony, on 29 July 2015 by One Malaysia Foundation. 

This capital city is the main gateway for travellers visiting Sarawak and Borneo, and a member of the UNESCO Creative Cities Network (Field of Gastronomy).

Aerial view of Kuching City. To the left is north Kuching with the State Legislative Building dominating, and south Kuching to the right. Source: YouTube, Gazetica Explorer

Being driven around the city on a recent visit, I observed its natural and built heritage.  As I mingled and chatted with its people and enjoyed the cuisine, I can attest to the fact that Kuching is indeed a city of unity as well as a city of gastronomy and creativity.  

The diversity that we see in Kuching touches all spheres of life, from the people and nature to culture and food. This is the place where traditions thrive and history remains in the time-worn streets of Old Kuching where stories of the White Rajahs are retained. Kuching holds on to its past as it moves into the present. Juxtaposed among the new are Brooke era buildings in neo-classical and baroque designs which peer out in between modern contemporary structures. At every turn in the city, one is greeted with a mosque, temple, church or colonial building.  

Sitting majestically on the north bank of the Sarawak River is the State Legislative Building with its distinctive umbrella-inspired roof, also reminiscent of the Bidayuh longhouse and the Melanau hat. Here, Sarawak’s 82 elected representatives (assemblymen and women) debate and pass laws.

In the courtyard of Fort Margherita with award-winning guide, Edward Mansel, who took us on a walking tour ‘On the Trail of the White Rajahs’. Photo by author.

The Astana was built in 1870 by Charles Brooke. It was the venue for various meetings of the General Council from 1873 – 1937. Laid out in the style of an English manor house, it was the third and last residence built by the Brooke Rajahs. Photo source: Old Kuching Smart Heritage booklet.

Walking along the waterfront, the Darul Hana Bridge catches the eye with its two towers designed to complement the hornbill-like structure of this 2017 icon. This S-shaped bridge, 12 meters above the water, is the only pedestrian crossing linking north and south Kuching.     

The bot penambang (water taxi) still makes the crossing as it is the fastest and probably the cheapest way to cross the river, especially for the villagers of Kampung Boyan, Kampung Gersik and surrounds.

On the opposite bank of the river, moving away from the promenade, are the historical and heritage buildings that give Kuching its unique character such as Sarawak’s former administrative centre found in the Old Courthouse built in 1874, and the hub of the earliest trading activities. The area is a meeting spot of old and newer mosques, Brooke-era buildings, Chinese temples, and shop houses along India Street, a covered pedestrian street lined with shops and stalls selling textiles and sundries. The city then was a self-segregated area where heterogeneous communities of Chinese, Indian, and Malays lived and thrived in different areas while peacefully co-existing with each other.

Midway is a narrow alley named Masjid India Lane that passes by the entrance of the India Mosque and leads to Jalan Gambier, where Kuching’s Indian spice traders and Chinese hardware merchants are found. Further up is Carpenter Street, named for the many woodwork shops set up in the last century.

When James Brooke landed in 1839, the row of shops along the river were made of wood and nipah. This Attap Street soon became the prime trading area due to its proximity to the original piers, where goods were unloaded at the jetties and wharfs. Business activities picked up, and in 1872, the second Rajah had some shops rebuilt with bricks, with a 5-foot walkway in front connecting the shops of each block.  

A street of Kuching town shortly after the surrender of Japan, image taken on 12 Sept 1945. Shops with 5-foot walkway visible. Photo source: Australian War Memorial

In 1884, a fire ravaged the wooden buildings, but these were quickly rebuilt with bricks. They are the quaint old shops we see today in Main Bazaar Road facing the river—a vestige of Kuching’s past, a lower working-class neighbourhood with hardware and bicycle shops amid gambling and opium dens, and brothels—and a haven for clandestine activities. What is interesting is that the local people were not aware of the Japanese spies in their midst who disappeared two days before the Japanese landing on 8 December 1941.

Here is the historic core of the city, well-preserved as a peaceful merging of Indians, Chinese, and Malays in its modern-day co-existence, an eclectic mix of history, culture, tradition, and community. A walk through the layers of history and architecture and everything in between is both educational and relaxing.

Main Entrance, Sarawak Club. The Club was established in 1876 for the recreational and entertainment needs of the White Rajahs and government officers. Sarawak-valued belian timber was used for the roofing truss and shingles. Photo by author.

As Kuching prospered, its boundaries expanded with de-centralisation combined with development of new commercial centres. Hotels, shopping malls, tertiary education institutions, civic and religious structures, and infrastructure were constructed or upgraded to meet the needs of an evolving demographic trend towards urbanisation and modernity. As in the past, Sarawak’s built environment was largely concentrated in Kuching, it being the capital and government centre.

After the opening of the Tun Abdul Rahman Yacob Bridge in 1974, the development of the city shifted from the old town to the northern side of the Sarawak River. Many government offices relocated here and Petra Jaya is now the administrative centre for the Sarawak Government. 

The State Library of Sarawak is set amid beautiful surroundings and overlooks a man-made lake. The library offers a direct-to-consumer book borrowing service. Also in Petra Jaya, are the Sarawak Stadium, a multi-purpose sports facility with 40,000 seats, and the Sarawak State Jamek Mosque.

State Library of Sarawak (Pustaka Negeri Sarawak) in Petra Jaya Photo source: Wikimedia Commons

Greater Kuching is a metro area of 2,030 km sq., almost the size of Greater Kuala Lumpur at 2,243km sq., but with a much smaller population.

Sarawak’s population is made up of about 26 major ethnic groups, with sub-groups within them. The two biggest groups are the Ibans and the Bidayuhs. Those groups in the interior are collectively referred to as Orang Ulu (people of the interior). Inter-racial marriages, formerly rare and only between closely related groups, are increasingly common in this day and age.

The culture of some of these indigenous communities has been influenced by Islamic practices, while others have converted to Christianity. However, indigenous beliefs, customary rites, and social customs known as adat continue to be practised. Those practices, entwined with traditional beliefs, are carried out through customary law or adat.   

The Floating Mosque sits on the banks of the Sarawak River. It can accommodate 1,600 worshipers. At dusk, the architecture is accentuated when it is flooded with the light of the golden sunset. Photo source: KuchingSarawak.com – (https://www.kuchingsarawak.com/2020/01/10/top-3-beautiful-masjids-of-kuching/)

The diversity of Sarawak’s (and Kuching’s) population is seen in the places of worship throughout the city. The Floating Mosque is at least one of eight religious places in the historical core of Kuching. Masjid Bandaraya Kuching replaced the old wooden mosque in 1968. Masjid India, built in 1879, is the oldest extant in the city. Masjid Bandaraya Kuching is the main mosque in Kuching. It had served as the state mosque before the new mosque was built in Petra Jaya.

Other places of worship are St. Thomas Anglican Cathedral, originally built in 1856, followed by the neo-Gothic-style St. Joseph Cathedral, built in 1894 but has since been replaced by a modern building in 1969.

St Thomas Cathedral Kuching. Photo source: CW Food Travel (cwfoodtravel.blogspot.com/2010/01/kuching-architecture-st-thomas.html)

St. Peter’s Catholic Church is undergoing construction, which, when completed, will resemble Westminster Abbey in miniature. The Gothic-style building will have pointed spires, ogival arches, flying buttresses, rose windows, and a bell tower.

Temples in the vicinity are the Tua Pek Kong Temple, the Taoist Hong San Si Temple built in 1848, the rebuilt Siew San Teng Temple, and the 1889 Hiang Tiang Siang Ti Temple, an Indian temple and a Sikh gurdwara.

The original Sarawak Museum. Photo source: Wikipedia Commons

An aerial shot of the Borneo Cultures Museum at Jalan Tun Abang Haji Openg in Kuching. Photo source: Bernama

Museums – big or small, special or unique – are found all over Kuching. Among them are the original Sarawak Museum built in 1891 by Rajah Charles Brooke. Chinese History Museum housed in the former Chinese Courthouse built in 1912 by Rajah Vyner Brooke and the Sarawak Islamic Museum housed in the 1930 Maderasah Melayu Building also built by Rajah Vyner. But the Borneo Cultures Museum (BCM) tops it all. Opened in March 2022, this 5-storey building with distinctive architectural features reflecting the traditional crafts of Sarawak, displays the best examples of Sarawak’s material culture.

With Dr. Louise Macul, centre, founding member, Friends of Sarawak Museum in the BCM bookshop. Photo by author.

Murals in the Sarawak State Museum, commissioned by Tom Harrisson, Curator of the Sarawak Museum (1947 – 1966). Photo by author.

Kenyah painted wood carving by Tusau Padan, in Hotel Telang Usan. Photo by author.

The Kenyah-owned Hotel Telang Usan exhibits paintings by Kenyah artist extraordinaire Tusau Padan (1933–1996). Tusau often said he was doing ‘all that the old people taught me, not to seek fame but to preserve a beautiful tradition’. The paintings here complement the four masterpieces by artists from Long Nawang, East Kalimantan, in the old Sarawak Museum.

The Tun Jugah Foundation, registered in 1985 perpetuates the memory of Tun Datuk Patinggi Tan Sri Temenggong Jugah anak Barieng by collecting, recording and preserving Iban culture, language and oral history. The museum/gallery promotes traditional methods of Iban weaving through a display of costumes and pua kumbu, antique and modern, complete with weaving materials and implements. There is also an exquisite collection of beads, silverware and jewellery.

Janet Rata Noel, Curator, Museum and Gallery, Tun Jugah Foundation, at her loom. The Foundation encourages all its staff to learn the Iban crafts of weaving and beading. The Foundation conducts demonstrations and workshops. Photo by author.

Born in a longhouse in Kapit, Jugah anak Barieng was a Malaysian politician of Iban descent. Even though he had no formal education, he played a fundamental role in the formation of Malaysia in 1963. Tun Jugah is said to be ‘the bridge to Malaysia’ for without his signature (thumbprint!) there would not be any Malaysia. Photo source: Tun Jugah Foundation.

Kuching is also a major food destination. Each ethnic group has its own delicacies with varying preparation methods. Examples of ethnic foods are the Iban tuak (rice wine), Melanau tebaloi (sago palm crackers) and umai (raw fish in lime juice) and Orang Ulu urum girua (pudding).

A bowl of Sarawak laksa. Photo source: Goody Foodies (https://goodyfoodies.blogspot.com/2014/04/recipe-sarawak-laksa.html)

Wild herb: Motherwort. Photo source: Wikipedia.

Some of the notable dishes, such as Sarawak laksa, kolo mee, and ayam pansuh, have made their way into the menus of Kuala Lumpur eateries, their tastes being increasingly appreciated by the palates of west Malaysians. Creeping in are midin (edible fern), gula apong-flavoured desserts, kway chap (broad rice noodles in spiced broth with offal), and salted ikan terubok (a local fish).

Still relatively unknown are ayam kacangma, a chicken dish made with motherwort, its unique bitter taste complemented with tuak and a popular post-natal dish; wild brinjal (terung Dayak/terung assam) soup made with smoked or salted fish with ginger, garlic, onion, and pepper; and de-shelled smoked-dry prawns, chewy and flavourful, in kerabu or salads. Fresh prawns are shelled, then straightened (unlike the ordinary salted, curled up dried prawns) before being laid on mesh trays to be smoked. It’s a laborious process and retails at RM250 a kilo.

Terung Dayak, a native cultivar of wild eggplant. This local eggplant is spherical in shape and comes in yellow to orange hues. It is called terung asam due to its natural tart flavour. Photo source: Borneodictionary.com

Bario rice is a rare grain grown in the Kelabit Highlands, where the soil is fertile and the temperature is cool. It is irrigated by unpolluted water from the mountains and it takes six months for the grain to mature, yielding aromatic, marble-white rice with a sweet taste and slightly sticky texture, richer in minerals than normal rice. Cultivated by hand with no pesticides using traditional farming methods and with only one yield a year, real Bario rice is rare and retails at RM25 a kilo. 

There is a cheaper, lesser-quality grain that goes by the same name, and many Malaysians are not aware of the difference. Genuine Bario Rice has been registered as a product of Geological Indication (GI), the practice of labelling food based on national or place origins to protect it as part of a nation’s heritage. Bario salt from the salt springs is another speciality from the highlands. Food can speak to a people’s taste and regional differences and signal a connection to culture and national pride.

For Asian cooking aficionados, Stutong Community Market is the place to go to source uncommon ingredients for traditional dishes. Available here is a wide variety of the bounty of the South China Sea, as well as a variety of fruits and vegetables cultivated, foraged, or imported. The range of products extends to local grocery items from other parts of Sarawak and ethnic cakes, puddings, and pastries. Cooked food and hawker stalls are conveniently located on the first floor (and you can even have your clothes tailored here!).

Sarawak has developed its own distinctive culture, different to what you would find in peninsula Malaysia. The geographical location of these two capital cities, separated by the South China Sea, has similarities and dis-similarities.  Visit this City of Unity and Gastronomy for a comparative appreciation of Kuala Lumpur and Kuching.

Edited by Dr Louise Macul

Special thanks to:

  • Dr. Louise Macul for taking us on a tour of the Borneo Cultures Museum and unstintingly sharing her knowledge, and articles in dayakdaily.com
  • Edward Mansel who took us on a walking tour on the trail of the White Rajahs. An octogenarian, he has witnessed an exciting part of Sarawak’s        history. The walking tour ended with a driving tour!
  • Janet Rata Noel who took us through the Tun Jugah Foundation galleries.
  • My friend of many years, Melinda Siew, her husband Kenny, mum Margaret and sons Keegan and Kaedan whose hospitality made our visit so comfortable. Margaret drove us to Stutong and all over Kuching south, and to Petra Jaya, from the airport and to the airport, unceasingly pointing out landmarks along the way, along with interesting snippets of people, places and things unique to Sarawak.
  • Fellow Museum Volunteer JMM, Noriko Nishizawa, for her companionship and care throughout the trip.

References

  1. Munan, Heidi (2015) Sarawak Historical Landmarks
  2. Lim, Jerome. (7 July 2012). St. Joseph Cathedral, Kuching. The Long and Winding Road Blog. https://thelongnwindingroad.wordpress.com/
  3. Sarawak witnesses remarkable progress: Poverty rate reduced to 9 pct, major infrastructure projects underway: https://dayakdaily.com/sarawak-witnesses-remarkable-progress-poverty-rate-reduced-to-9-pct-major-infrastructure-projects-underway/
  4. Bario rice – a rare grain: https://www.theborneopost.com/2012/01/29/bario-rice-a-rare-grain/
  5. Kuching division starts Sarawak’s journey of progress: https://themalaysianreserve.com/2021/01/20/kuching-division-starts-sarawaks-journey-of-progress/
  6. “Kuching, Malaysia” in the Britannica: https://www.britannica.com/place/Kuching
  7. Ting, John H.S. (2018). The History of Architecture in Sarawak before Malaysia. Kuching: Pertubuhan Arkitek Malaysia Sarawak Chapter.
  8. Kuching in Wikipedia: https://en.wikipedia.org/wiki/Kuching

M & M – Meet the Pros and Museum

By Eric Lim

22 July 2023 (Saturday): Before long, I found myself in another M & M session. This time, it involved [M]eeting professional golfers (‘[M]eet the Pros’) and exploring a camera [M]useum – all within a single day, and they are both hobbies that bring me immense enjoyment!

Meet the Pros

I’ve been playing golf for nearly three decades now, and it seems I’m hooked for life. It is always exciting playing in different golf courses and with different people of different skill levels. Every single round of golf is different and we are always looking forward to hitting that one big shot, like what Harvey Penick who was an American professional golfer envisaged ‘your next shot is a new experience. It might be the best shot you ever hit in your life’. So when the opportunity came to ‘Meet the pros’, I had quickly signed up in the hope of getting some valuable tips to improve my golf game and to get closer to that ‘best shot I ever hit in my life’.

Photo source : MST Golf Group Berhad

The event was held at MST Golf Arena, an indoor golf centre located at Gardens Mall, in the heart of Mid Valley City, Kuala Lumpur. Three local professional golfers, namely Ervin Chang from Kajang, Selangor, Paul San from Sarawak and Shahriffuddin Ariffin from Malacca, made their appearance in person. All three of them are currently playing in the Toyota Tour circuit. The tour was founded by the late Tun Ahmad Sarji in 2010 and was known originally as the PGM Tour (Professional Golf of Malaysia Tour). This year with the inclusion of UMW Toyota Motor and MST Golf, together with Professional Golf of Malaysia (PGM), the name changed to Toyota Tour. MST Golf has established its name in the golf retail industry locally as well as in Southeast Asia. With over 30 years of experience, it is now controlling more than 51% of the local golf equipment retail and distribution market in Malaysia. The company was incorporated on 13 November 1989 as Masinthai Marketing Sdn. Bhd. and later changed its name to MST Golf Sdn. Bhd. on 22 April 1992. 20 July 2023 marked a historic milestone for the company as it premiered as a publicly listed company on the Main Market of Bursa Malaysia Securities Berhad. During the swing assessment session, fellow Kajang resident Ervin Chang gave me a valuable tip which I am now following through to achieve better swing consistency. Incidentally, three days after the meet up event, all three participated in the Supra Cup (one of the tournaments in the Toyota Tour programme) that was held at The Mines Resort & Golf Club, Seri Kembangan. Ervin Chang played well and finished tied for first place with Marcus Lim. Unfortunately, Ervin lost the play-off hole to Marcus.

Winners of the Supra Cup that was held at The Mines Resort & Golf Club.
Photo source : Courtesy of Chew Fook Keong

Museum (Camera Museum)

My first job in Kuala Lumpur was with a local company dealing with the supply of photographic, laboratory and film products. The company, located at the corner of the Jalan Tun HS Lee-Jalan Sultan intersection, was the agent for some reputed brand names at that time, namely: Chinon (camera and lenses), Eiki (16mm film projector), Hanimex (camera and slide projector), Popular (flashlight), Polaroid (instant camera system and sunglasses), Mitsubishi (film and photographic printing paper), Sunpak (flashlight), Velbon (camera tripod stand) and Vivitar (zoom lenses). This was where I started my association with photography. After four years, I left and joined a private limited company in the sales and promotion of Pentax 35mm Single Lens Reflex (SLR) camera.

Asahi Optical, the founding company of Pentax, introduced its first 35mm SLR in 1952. The model Asahiflex I, subsequently became the first 35mm SLR manufactured in Japan. And since that time on, it went on to win accolades in the global stage with a long list of the world firsts:

• 1954 – Quick return mirror mechanism (Asahiflex II)
• 1960 – Quick return mirror mechanism received 2nd Science & Technology Agency Director’s Award (Pentax is the first in the camera industry to receive this award)
• 1964 – Through-the-lens (TTL) metering system (Asahi Pentax SP)
• 1966 – Camera manufacturer to produce one million SLR
• 1971 – SLR camera with a TTL automatic exposure control (Pentax EX), and Super Multi Coated lenses (Takumar lens series)
• 1976 – Smallest and lightest SLR camera (Pentax MX and ME)
• 1979 – Incorporate the concept of push-button shutter speed control (Pentax ME Super)
• 1981 – Camera manufacturer to reach the production milestone of 10 million SLR cameras
• 1981 – SLR camera featuring TTL Autofocus (Pentax ME-F)

The company continued to win many more awards. On 31 March 2008, Pentax was defunct as it merged into Hoya Corporation and in 2011, Ricoh acquired all shares of Pentax Imaging Corporation from Hoya Corporation. On 1 August 2013, the company name was changed to Ricoh Imaging Company Limited.

Asahiflex II model / Photo source : Wikimedia Commons

When a friend sent an article from a local social news site that read ‘You probably didn’t know but there’s a Camera Museum in Bukit Bintang with free entry!’ I couldn’t resist but to plan a visit.

Nestled in busy Jalan Bukit Bintang, the Camera Museum lies within the Gold3 Boutique Hotel, located at the side of Fahrenheit 88 shopping centre (formerly known as KL Plaza). Once you enter the hotel, it is beyond a shadow of a doubt that you have reached the right place as cameras and accessories are decorated on the wall behind the reception counter. As a courtesy, inform the staff at the counter that you are there to visit the camera museum and you would be directed to take the lift to Level 2.

Cameras and accessories decorated on the wall. Photo source: Eric Lim

The setting of the camera museum is in the form of a retro camera shop-cum-photo studio. And interestingly, setting the scene at the right corner underneath the neon sign are some old props, namely a close-to-extinction payphone, a paint faded letterbox, an old barbershop pole lamp and an old bicycle. The bicycle is no ordinary bicycle, it is an American-made Schwinn Bicycle.

In 1895, Ignaz Schwinn and Adolph Frederick William Arnold, both German American, founded the Arnold, Schwinn & Company in Chicago and started building bicycles.It was during the time when bicycles were the craze in America. The company continued to strive even with the advent of automobiles at the start of the 20th century, survived the Great Depression period, competed with foreign-made bicycles like the English Racers / Roadsters from Great Britain and Germany and lightweight models from Japan and Taiwan. The company went into bankruptcy in 1992, and since then, Schwinn has been a sub-brand of Pacific Bicycle which was later acquired by Dutch conglomerate Pon Holdings.

The old bicycle on display is a Cruiser bicycle. The model was conceived by Frank W. Schwinn, son of Ignaz, after he came back from a field trip to Europe. It was designed to imitate a motorcycle and targeted the youth’s market. It was introduced to the market in 1933 as the Schwinn B-10E Motorbike. The following year, it was given an upgrade and was renamed Schwinn AeroCycle. The added features include balloon tires (2-2.5 inches / 51-64 mm wide, large-volume, low-pressure tire), streamlined fenders, imitation ‘gas tank’, chrome-plated and battery operated headlight and a push button bicycle bell. It became popular throughout the 1930’s to the 1950’s and popular with paperboys and bicycle couriers. It faded into oblivion when the English Racers / Roadsters were introduced to the American public.

Wall-sized display cabinets / Photo source : Eric Lim

The front section of the retro camera shop-cum-photo studio is guarded by wall-sized display cabinets that are filled with black and white photographs of old Kuala Lumpur (front, right) and vintage cameras, photographic accessories, old movie projectors and photographic film rolls (front, left and centre, right). I found several twin-lens reflex cameras on the shelf (Chinese-made Seagull and Yashica), big cameras with lenses mounted on extendable bellows, compact cameras and portable cassette players, radio, black and white portable television set and even an old typewriter. At the centre left section, located behind the cash register, is a showcase that is packed with a line-up of Polaroid vintage instant cameras like the popular SX-70 series (models like SX-70, nonfolding Presto and Pronto / year 1972 to 1978), 80 series (EE44, EE88 / year 1976 to 1977), 600 series (OneStep 600, Quick 610 / year 1983), Pocket camera (I Zone / year 1999) and Studio / Portrait camera (Minipotrait, Studio Express).

Showcase filled with Polaroid vintage instant cameras / Photo source : Eric Lim

The next section is where the memories of special occasions such as anniversaries, graduation, festivities are captured. The photo studio is fully equipped with a studio camera at the centre, lighting at strategic corners, backdrop and props. And the final piece to complete the jigsaw is the darkroom. It is stored with all the necessary chemicals, printing papers, trays, meter, weighing scale, water basin and dim lighting.

Studio and the darkroom / Photo source : Eric Lim

Whether you are a camera enthusiast or not, this camera museum is worth a visit. You are basically walking through the history of photographic cameras and accessories. It brings back sweet memories of the era before the digital age.

‘Life is like a camera, focus on what’s important. Capture the good times. Develop from the negatives. And if things don’t work out, take another shot’. – Zaid K. Abdelnour

References

1. Toyota Golf Tour
https://www.toyota.com.my/toyota-tour/

2. MST Golf Group
https://www.mstgolfgroup.com/

3. About Pentax , chronology
https://web.archive.org/web/20071224170918/http://www.pentax.co.jp/english/company/company/history.html

4. Schwinn Bicycle Company – Wikipedia
https://en.wikipedia.org/wiki/Schwinn_Bicycle_Company

5. Cruiser bicycle – Wikipedia
https://en.wikipedia.org/wiki/Cruiser_bicycle

6. List of Polaroid instant cameras – Wikipedia
https://en.wikipedia.org/wiki/List_of_Polaroid_instant_cameras

Understanding Contemporary Orang Asli Handicraft Culture & Heritage

Muzium Seni Kraf Orang Asli (MSKOA)

By Yun Teng

Many visitors to Muzium Negara tend to focus on the main four galleries, unaware of the other galleries on the premise. One of the lesser-known galleries, in my opinion, is the Muzium Seni Kraf Orang Asli (MSKOA) located near the car park. I was once red-faced when vising the MSKOA with a friend, despite being a qualified Muzium Negara volunteer guide, I struggled to grasp the context from the captions provided next to the exhibits. Hence I promptly registered for Reita Rahim’s upcoming talk as soon as the poster was released.

Reita Rahim, a former graphic designer turned freelance craft researcher, has dedicated the past 20 odd years to documenting the customs, beliefs, practices and way of life of the Orang Asal, while training them to improve their crafts via colour management and quality controls.

She began her talk with the clarification that the indigenous on the Peninsular is referred to as “Orang Asli’, in Sarawak they are the ‘Dayak’ and ‘Orang Ulu’, and in Sabah they are the ‘Anak Negeri’. Collectively they are referred to as ‘Orang Asal’.

Her talk was very informative. I shall attempt to record everything in detail, for the benefit of my fellow volunteer guides. Points taken are placed into different categories, for easier reading.

Population

 Malaysia (Peninsular)Taiwan
Population0.64% (2019) (1)2.5% (3)
Life expentancyAbout 20 years lower than the national rate. (2)10 years lower. (4)
SourceiDAMAK, June 2021, KKM collected it during COVID vaccination project   Masron, T.; Masami, F.; Ismail, Norhasimah (1 January 2013). “Orang Asli in Peninsular Malaysia: population, spatial distribution and socio-economic condition”. J. Ritsumeikan Soc. Sci. Hum. 6: 75–115.(3) Data and official document  extracted Wikipedia: 臺灣原住民族   (4) Excerpt from a talk https://youtu.be/HAMf7m23M_w

Style of Living

EventsDescription
New bornsNew borns and young toddlers are considered vulnerable in the family. They need to be well taken care of before going out to explore the world. Note: Do not freely photograph them. It is a required courtesy to ask permission before taking any photos of them.
AmuletsA ‘durian-like’ fruit that can be found in the gallery is one of their protection amulets. The seeds found inside the fruit is glassy and sharp. See photo below.


(Photo by Yun Teng)
AgricultureAccording to their beliefs, heaven is called ‘Pulau Buah’ (Island of Fruits), thus named to represent a sense of security, since they were often challenged by poverty and hunger.
 Rice is the main staple food, followed by tapioca and yam. The Orang Asli eventually planted a variety of rice, some are endangered species. They ploughed and harvested rice in a variety of ways, using special tools (not a ‘sabit’), as shown below.


(Photo by Reita Rahim)
  Orang Asal (Peninsular)Penan
 Rice swiddeningThey rotate the crops every 5-7 years. They are not nomadic.They are nomadic, hunting and gathering from the wild. They do not plant rice.
HuntingThe blowpipe is a primary tool, sharp tips applied with poison from the Ipoh tree. A fine line is scored just below the tip to ensure it breaks off once it hits its target, ensuring the poison remains in the victim.
BlowpipesBamboo Pipes are made with bamboo (Temiang), straight in between segments, perfect for viewing and taking aim. They are two-layered, the inner pipe will nest within a wider outer pipe.Wood Belahan techniques Wood is cut into half lengthwise, the inner part removed.Wood
A special technique is employed to drill a hole down the middle of the wood.
 Temiar  SemaiSemelai (Tasik Bera)Penan Murud
 Bamboo is not popular amongst the Orang Asli of the South, since it is scarce in this area.  
FishingFishing techniques are inherited from their forefathers, using a variety of tools and traps to catch fish from rivers or clams from coastal waters.


(Photo by Yun Teng)
ClothingClothes are made from the bark of a tree called “Artocarplus elasticus”, by pounding, soaking and stretching in order to make the material more ‘wearable’.
AccessoriesThey have accessories such as headgear, bead necklaces (some made of edible seeds), ear plugs or nose pricks.
Headgear and masksTemiarMah MeriOther Orang AsalDayak
 They are the main group. They invented headgear.Dance with masks.

(Photo by Reita Rahim)
Now they see it as an identity.Headgear made of beads.
MasksMasks were made with pieces of wood joined by articulated jaws. This practice is rarely seen these days as it involved a lot of workmanship.


(Photo by Yun Teng)
TransportationSome groups of Orang Asal used to live as sea nomads. They do not live that way anymore because the wood for making the boats, (which can be opened up naturally when the bark is dehydrated with a firing technique) can no longer be found in the jungle.


(Photo by Reita Rahim)
EntertainmentSome musical instruments are designed for ritual, whereas some for entertainment.
Musical instrumentsPercussion instruments include the genggong & kelunthong and the gambang (there’s even a double-player one). The wind instruments are the flutes Selaung, pensol and si-oi. The string instruments include the mouth harps such as jurieg, kerab meroi, din keranting, banjeng and kereb lab.
 Stampers dance (Ritual)Magunatip (Entertainment)  Bamboo Dance (Festival)
 SemaiAborigines from Sabah and SarawakTaiwan aborigines, the Ami tribe
ArtsCrafts are made from materials they are able to gather. Most woodcrafts are made with wood from the Pokok Angsana, some made with Cengal and Pulai (commonly gathered but a soft wood).
WoodcraftMah MeriJahut
 Mostly about stories of their moyang (ancestor).Mostly about spirits that make humans ill or feel uneasy.

Illness and Healing

AncestryMoyang
Realms in alternateThe other realm is in a reverse alteration.
For instance: 1) Small in this world, big in the other. Hence, the food offered to ancestors has to be small so that ‘in the other world’ it is a big portion. 2) Day in this world, night on the other side, so a candle has to be lit.
Healing ritualsHealing with the power from their ancestors is very common among the tribes. The ancestors are summoned to a location with a particular collection of woven leaves where communication can be carried out.


(Photo by Yun Teng)

Death and Graves

Burial is a very important event. A proper grave is prepared for the deceased with their belongings placed on the grave and a tree planted to serve as a marking. On the sixth day, the deceased will be told to stay in the realm of the other world, everyone will move on then.

A burial side of Jahut. (Photo by Reita Rahim)

Burial side (artefact) in MSKOA. (Photo by Yun Teng)

With this brief documentation, I am now able to speak a little about the Orang Asli when I bring visitors to the gallery. There are still many more stories to learn. A two-hour talk can only provide a tiny glimpse into their universe.

This Muzium Seni Kraf Orang Asli (MSKOA) in Muzium Negara, and the one in Muzium Perak (Taiping) that I visited, are good places to start to better understand them. We should approach this understanding with due respect, embracing the uniqueness of their culture.