by Maganjeet Kaur
The replica of a panel at Borobudur on display at Gallery B, Muzium Negara depicts a scene from the Lalitavistara Sutra, a Mahayana Buddhist text. In this panel Queen Maya and King Suddhodhana, parents of the future Buddha, are shown at their palace in Kapilavastu. The trees on the panel indicate that they are most likely seated in a garden pavilion. In this scene, the Queen has approached the King and seated herself on his right. She requests permission from the King to take a pledge of self-denial and, judging by the King’s hand gesture, he has consented to this request.
In the Lalitavistara text, this scene takes place in the music hall and the royal couple are seated on a throne with jeweled latticework. The Borobudur panel, on the other hand, shows ashoka trees (Saraca asoca) indicating an outdoor scene. The text also mentions that the Queen came accompanied by 10,000 women but only five of them, shown behind the Queen, are represented in the carving.
The Lalitavistara, translated loosely as ‘The Play in Full’, provides an account of Buddha’s descent into this world and how he attained his awakening. Borobudur has 1,460 bas-reliefs depicting scenes from the Lalitavistara, Jataka, and other Buddhist texts. These bas-reliefs are found in the galleries of the first four floors. Each floor has these bas-relief panels on both sides of the walls. The first floor has four series of panels, two series on the inner wall and two on the outer wall. The other three floors have two series of panels each, one on each side of the wall. This makes a total of ten series of panels; ten is an important figure in the Buddhist cosmology as it represents the ten stages of a bodhisattva’s path to awakening.
The correct way in which to circumambulate Borobudur is to start from the east staircase, turn left on the first floor, and walk clockwise while viewing the top series of panels on the outer wall. The visitor would then do another three rounds on the first floor while viewing the remaining three series of panels. The visitor then moves to the second floor and goes around this floor twice to view the series of panels on both the inner and outer walls. Two rounds each are again made on both the third and fourth floors. In this way, the visitor would have walked ten rounds. The Lalitavistara panels are located on the inner wall (top series) of the first floor.
Lalitavistara, The Play in Full, translated by the Dharmachakra Translation Committee.
John Miksic (1990) Borobudur: Golden Tales of the Buddhas, Hong Kong: Periplus Editions.